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100   $a19820126d1982      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 00$aFolk music and modern sound$b[electronic resource] /$fedited by William Ferris and Mary L. Hart
210   $aJackson $cUniversity Press of Mississippi$dc1982
215   $a1 online resource (230 p.)
225 1 $aCenter for the Study of Southern Culture series
300   $aBased on lectures presented at a conference at the University of Mississippi, Apr. 17-19, 1980.
300   $aIncludes index.
311   $a1-60473-167-2 
327   $aPt. 1. The Anglo connection -- pt. 2. Ethnic voices -- pt. 3. The religious sound -- pt. 4. Pure country -- pt. 5. Myths and heroes -- pt. 6. Blacks and blues.
330   $aThe essays in this collection range from the impact of technology on the British folksong revival to regional characteristics of early rock and roll in New Orleans. Attention is given to the blues, Sacred Harp singing, ethnic music, both black and white gospel, country music, and the polka. Other essays consider the relationship of music from the Yiddish-American theater with that of Broadway, the wide influence and commercialization of black music in today's popular music, myths about early black music, and Charles Ives as folk hero. Contributors include Amiri Baraka, Doris J. Dyen, Dena J. E
410  0$aCenter for the Study of Southern Culture series.
606   $aFolk music$xHistory and criticism
608   $aElectronic books.
615  0$aFolk music$xHistory and criticism.
676   $a784.4/973
701   $aFerris$b William R$01044661
701   $aHart$b Mary L$01049655
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459703903321
996   $aFolk music and modern sound$92478862
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999   $p$12.50$u11/11/2019$5Music