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100   $a20110614d2011      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe discourse of Italian cinema and beyond $elet cinema speak $fRoberta Piazza
210  1$aLondon $aNew York $cContinuum $d2011.
215   $a1 online resource (272 p.)
225 1 $aAdvances in stylistics
300   $aIncludes filmography
311   $a1-4411-7887-2 
311   $a1-4411-3697-5 
320   $aIncludes bibliographical references (pages [235]-252) and index
327   $a1. Background and Introduction \ 2. The verbal-visual interrelation in cinema \ 3. The focus on the representation of conflict in film \ 4. Confrontational discourse in comedy and the disengagement of dramatic talk \ 5. Spaghetti and American westerns: textual conflict marking the clash between opposing masculinities \ 6. The struggle for narrative autonomy in Antonioni's When Love Fails \ 7. The discourse of identity and confrontation in Mohsen Melliti's Me, the Other \ 8. Conclusions \ 9. References and filmography \ Index -- 
330 8 $aRoberta Piazza's book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day. It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies. It explores the representation of discourse in cinema --  the way particular manifestations of verbal interaction are reproduced in film. Whereas 'representation' generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse. Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings. Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity. The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis.
410  0$aAdvances in stylistics.
606   $aMotion picture plays, Italian$xHistory and criticism
606   $2Films, cinema
606   $aMotion pictures$zItaly
615  0$aMotion picture plays, Italian$xHistory and criticism.
615  0$aMotion pictures
676   $a791.430945
700   $aPiazza$b Roberta$0467444
801  0$bUtOrBLW
801  1$bUtOrBLW
801  2$bUkLoBP
906   $aBOOK
912   $a9910459628403321
996   $aThe discourse of Italian cinema and beyond$92471374
997   $aUNINA