LEADER 03630nam 2200601 450 001 9910459617903321 005 20200520144314.0 010 $a0-8131-4864-2 035 $a(CKB)3710000000333895 035 $a(EBL)1915018 035 $a(MiAaPQ)EBC1915018 035 $a(OCoLC)558240218 035 $a(MdBmJHUP)muse43796 035 $a(Au-PeEL)EBL1915018 035 $a(CaPaEBR)ebr11011617 035 $a(CaONFJC)MIL690750 035 $a(OCoLC)900344387 035 $a(EXLCZ)993710000000333895 100 $a20150205h19831983 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aHollywood as historian $eAmerican film in a cultural context /$fedited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others] 205 $aRevised edition. 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1983. 210 4$dİ1983 215 $a1 online resource (299 p.) 300 $aInclude index. 311 $a1-322-59468-6 311 $a0-8131-0154-9 320 $aIncludes bibliographical references. 327 $aCover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White 327 $a8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z 330 $aMotion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame 606 $aHistorical films$zUnited States$xHistory and criticism 606 $aMotion pictures and history 606 $aMotion picture plays, American$xHistory and criticism 608 $aElectronic books. 615 0$aHistorical films$xHistory and criticism. 615 0$aMotion pictures and history. 615 0$aMotion picture plays, American$xHistory and criticism. 676 $a791.43/09/09358 702 $aRollins$b Peter C. 702 $aBrowne$b Ray B. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459617903321 996 $aHollywood as historian$92472291 997 $aUNINA