LEADER 01128nam--2200373---450- 001 990005814970203316 005 20130306142516.0 010 $a978-3-938593-19-6 035 $a000581497 035 $aUSA01000581497 035 $a(ALEPH)000581497USA01 035 $a000581497 100 $a20130306d2012----km-y0itay50------ba 101 0 $ager 102 $aDE 105 $a||||||||001yy 200 1 $a<> Stimmen aus dem Limbus$eBob Dylans späte Song Poetry$fHeinrich Detering 210 $aMünchen$cCarl Friedrich von Siemens Stiftung$d2012 215 $a61 p.$c1 ritratto$d21 cm 225 2 $aThemen$v95 410 0$12001$aThemen$v95 600 1$aDylan,$bBob$2BNCF 676 $a782.421620092 700 1$aDETERING,$bHeinrich$0327800 801 0$aIT$bsalbc$gISBD 912 $a990005814970203316 951 $aXIII.3.D. 554$b8344 L.G.$cXIII.3.D.$d00313262 959 $aBK 969 $aUMA 979 $aPASSARO$b90$c20130306$lUSA01$h1421 979 $aPASSARO$b90$c20130306$lUSA01$h1423 979 $aPASSARO$b90$c20130306$lUSA01$h1425 996 $aStimmen aus dem Limbus$91089011 997 $aUNISA LEADER 03518oam 2200709I 450 001 9910459464603321 005 20200520144314.0 010 $a1-136-89463-2 010 $a1-136-89464-0 010 $a1-282-92995-X 010 $a9786612929953 010 $a0-203-84087-9 024 7 $a10.4324/9780203840870 035 $a(CKB)2670000000059895 035 $a(EBL)957702 035 $a(OCoLC)741356631 035 $a(SSID)ssj0000411799 035 $a(PQKBManifestationID)12173366 035 $a(PQKBTitleCode)TC0000411799 035 $a(PQKBWorkID)10366000 035 $a(PQKB)11393714 035 $a(MiAaPQ)EBC957702 035 $a(Au-PeEL)EBL957702 035 $a(CaPaEBR)ebr10433345 035 $a(CaONFJC)MIL292995 035 $a(OCoLC)692197099 035 $a(EXLCZ)992670000000059895 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAncient graffiti in context /$fedited by J.A. Baird and Claire Taylor 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (260 p.) 225 1 $aRoutledge studies in ancient history ;$vv. 2 300 $aDescription based upon print version of record. 311 $a0-415-65352-5 311 $a0-415-87889-6 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Copyright; Contents; Tables; Figures; Abbreviations; Preface; 1 Ancient Graffi ti in Context: Introduction; 2 Dialogues of Graffiti in the House of the Four Styles at Pompeii (Casa Dei Quattro Stili, I.8.17, 11); 3 The Graffiti of Dura-Europos: A Contextual Approach; 4 Identifying Children's Graffiti in Roman Campania: A Developmental Psychological Approach; 5 Graffiti and the Epigraphic Habit: Creating Communities and Writing Alternate Histories in Classical Attica; 6 Transcripts of Dissent?: Political Graffiti and Elite Ideology Under the Principate 327 $a7 The Materiality of Graffiti: Socialising a Lekythos in Pherai8 Egyptian 'Inscriptions' and Greek 'Graffiti' at El Kanais in the Egyptian Eastern Desert; 9 Blogging Rome: Graffiti as Speech-Act and Cultural Discourse; 10 Graffiti in Aphrodisias: Images-Texts-Contexts; Contributors; Bibliography; Index 330 $aGraffiti are ubiquitous within the ancient world, but remain underexploited as a form of archaeological or historical evidence. They include a great variety of texts and images written or drawn inside and outside buildings, in public and private places, on monuments in the city, on objects used in daily life, and on mountains in the countryside. In each case they can be seen as actively engaging with their environment in a variety of ways. Ancient Graffiti in Context interrogates this cultural phenomenon and by doing so, brings it into the mainstream of ancient history and archaeol 410 0$aRoutledge studies in ancient history ;$v2. 606 $aCivilization, Ancient 606 $aClassical antiquities 606 $aGraffiti$xHistory 608 $aElectronic books. 615 0$aCivilization, Ancient. 615 0$aClassical antiquities. 615 0$aGraffiti$xHistory. 676 $a080.9 701 $aBaird$b Jennifer A.$f1978-$0957441 701 $aTaylor$b Claire$f1978-$0957442 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459464603321 996 $aAncient graffiti in context$92168645 997 $aUNINA