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010   $a1-282-97928-0
010   $a9786612979286
010   $a1-86189-788-X
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100   $a20100812d2002      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aApe to Apollo$b[electronic resource] $eaesthetics and the idea of race in the 18th century /$fDavid Bindman
210   $aLondon, U.K. $cReaktion Books$d2002
215   $a1 online resource (266 p.)
300   $aDescription based upon print version of record.
311   $a1-86189-140-7 
320   $aIncludes bibliographical references and index.
327   $aApe to Apollo Cover; Imprint page; Contents; Preface; Introduction: Human Variety, Race and Aesthetics; 1 Human Variety Before Race; 2 The Climate of the Soul; 3 Defining and Denying Race; 4 The Skull's Triumph; Epilogue; References; Select Bibliography; Photographic Acknowledgements; Index
330   $aIn Ape to Apollo, art historian David Bindman argues that ideas of beauty were from the beginning inseparable from race, as Europeans judged the civility and aesthetic capacity of other races by their appearance.
606   $aAesthetics, European$y18th century
606   $aRace
606   $aEthnology$xHistory$y18th century
606   $aAesthetics, Modern$y18th century
608   $aElectronic books.
615  0$aAesthetics, European
615  0$aRace.
615  0$aEthnology$xHistory
615  0$aAesthetics, Modern
676   $a305.8/009/033
676   $a305.8009033
676   $a700.455
700   $aBindman$b David$f1940-$0215228
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459412003321
996   $aApe to Apollo$92167053
997   $aUNINA