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010   $a9786612917301
010   $a1-60473-587-2
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035   $a(EBL)619216
035   $a(OCoLC)631202531
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100   $a20041101d2005      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aAlternative comics$b[electronic resource] $ean emerging literature /$fCharles Hatfield
205   $a1st ed.
210   $aJackson $cUniversity Press of Mississippi$dc2005
215   $a1 online resource (199 p.)
300   $aDescription based upon print version of record.
311   $a1-57806-719-7 
320   $aIncludes bibliographical references and index.
327   $aComix, comic shops, and the rise of alternative comics, post 1968 -- An art of tensions -- A broader canvas -- "I made that whole thing up!" -- Irony and self-reflexivity in autobiographical comics -- Whither the graphic novel?
330   $aIn the 1980's, a sea change occurred in comics. Fueled by Art Spiegel- man and Franoise Mouly's avant-garde anthology Raw and the launch of the Love Rockets series by Gilbert, Jaime, and Mario Hernandez, the decade saw a deluge of comics that were more autobiographical, emotionally realistic, and experimental than anything seen before. These alternative comics were not the scatological satires of the 1960's underground, nor were they brightly colored newspaper strips or superhero comic books. In Alternative Comics: An Emerging Literature, Charles Hatfield establishes the parameters of alternative
606   $aUnderground comic books, strips, etc$zUnited States$xHistory and criticism
608   $aElectronic books.
615  0$aUnderground comic books, strips, etc.$xHistory and criticism.
676   $a741.5/0973
700   $aHatfield$b Charles$f1965-$0872003
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459384103321
996   $aAlternative comics$92089593
997   $aUNINA