LEADER 03547nam 2200649Ia 450 001 9910459349703321 005 20200520144314.0 010 $a1-282-55561-8 010 $a9786612555619 010 $a1-60473-956-8 035 $a(CKB)2670000000019410 035 $a(EBL)534341 035 $a(OCoLC)630115368 035 $a(SSID)ssj0000413106 035 $a(PQKBManifestationID)11306664 035 $a(PQKBTitleCode)TC0000413106 035 $a(PQKBWorkID)10369597 035 $a(PQKB)11743873 035 $a(MiAaPQ)EBC534341 035 $a(MdBmJHUP)muse13618 035 $a(Au-PeEL)EBL534341 035 $a(CaPaEBR)ebr10389880 035 $a(EXLCZ)992670000000019410 100 $a20040330d2004 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA boy named Sue$b[electronic resource] $egender and country music /$fedited by Kristine M. McCusker and Diane Pecknold 210 $aJackson $cUniversity Press of Mississippi$dc2004 215 $a1 online resource (257 p.) 225 1 $aAmerican made music series 300 $aDescription based upon print version of record. 311 $a1-57806-678-6 320 $aIncludes bibliographical references and index. 327 $aContents; Foreword: Muddying the Clear Water: The Dubious Transparency of Country Music; Acknowledgments; Introduction; Bibliography and Further Reading; "Bury Me Beneath the Willow": Linda Parker and Definitions of Tradition on the National Barn Dance, 1932-1935; "Spade Doesn't Look Exactly Starved": Country Music and the Negotiation of Women's Domesticity in Cold War Los Angeles; Charline Arthur: The (Un)Making of a Honky-Tonk Star; I Don't Think Hank Done It That Way: Elvis, Country Music, and the Reconstruction of Southern Masculinity 327 $a"I Wanna Play House": Configurations of Masculinity in the Nashville Sound Era Patsy Cline's Crossovers: Celebrity, Reputation, and Feminine Identity; Dancing Together: The Rhythms of Gender in the Country Dance Hall; Between Riot Grrrl and Quiet Girl: The New Women's Movement in Country Music; Going Back to the Old Mainstream No Depression, Robbie Fulks, and Alt.Country's Muddied Waters; Postlude; Notes; Contributors; Index 330 $aFrom the smiling, sentimental mothers portrayed in 1930's radio barn dance posters, to the sexual shock waves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation 410 0$aAmerican made music series. 606 $aCountry music$xHistory and criticism 606 $aFemininity in popular culture 606 $aMasculinity in popular culture 608 $aElectronic books. 615 0$aCountry music$xHistory and criticism. 615 0$aFemininity in popular culture. 615 0$aMasculinity in popular culture. 676 $a781.642/082 701 $aMcCusker$b Kristine M$0982818 701 $aPecknold$b Diane$0982819 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459349703321 996 $aA boy named Sue$92242878 997 $aUNINA