LEADER 01906nam  22004093u 450 
001 9910459345803321
005 20210111231010.0
010   $a1-282-87521-3
010   $a9786612875212
010   $a1-4411-5910-X
035   $a(CKB)2670000000056168
035   $a(EBL)601787
035   $a(OCoLC)676697348
035   $a(MiAaPQ)EBC601787
035   $a(EXLCZ)992670000000056168
100   $a20130418d2008||||  u||            |
101 0 $aeng
135   $aur|n|---|||||
200 10$aSarah Kane's Blasted$b[electronic resource]
210   $aLondon $cContinuum International Publishing$d2008
215   $a1 online resource (132 p.)
225 1 $aModern Theatre Guides
300   $aDescription based upon print version of record.
311   $a0-8264-9203-7 
327   $aContents; Acknowledgements; General Preface; 1 Background and Context; 2 Analysis and Commentary; 3 Production History; 4 Workshopping the Play; 5 Conclusion; Timeline; Further Reading; Index
330   $aBlasted has been labelled as one of the landmark plays of post-war British theatre, achieving its iconic status and, indeed, its notoriety, very quickly. Sarah Kane's suicide in 1999 consolidated a process of singling-out that had begun four years earlier with the 'national outrage' initiated by the media's scandalised response to the premiere of Blasted. The brutal content of the play resulted in much-quoted hostility from the critics. Academic attention to the play has begun a process of re-evaluation, debating the production and reception of the play and key issues including its status as a
410  0$aModern Theatre Guides
608   $aElectronic books.
676   $a822.914
700   $aIball$b Helen$0977984
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910459345803321
996   $aSarah Kane's Blasted$92227953
997   $aUNINA