LEADER 01568nam  2200517Ia 450 
001 9910459334903321
005 20200520144314.0
010   $a1-282-55318-6
010   $a0-8203-3509-6
035   $a(CKB)2670000000016578
035   $a(OCoLC)593295495
035   $a(CaPaEBR)ebrary10367030
035   $a(SSID)ssj0000338092
035   $a(PQKBManifestationID)11252260
035   $a(PQKBTitleCode)TC0000338092
035   $a(PQKBWorkID)10294217
035   $a(PQKB)10878118
035   $a(MiAaPQ)EBC3038808
035   $a(MdBmJHUP)muse14657
035   $a(Au-PeEL)EBL3038808
035   $a(CaPaEBR)ebr10367030
035   $a(EXLCZ)992670000000016578
100   $a20080328d2008      ub             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 10$aGeorgia odyssey$b[electronic resource] /$fJames C. Cobb
205   $a2nd ed.
210   $aAthens $cUniversity of Georgia Press $cPublished in association with the Georgia Humanities Council$dc2008
215   $a1 online resource (201 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8203-3050-7 
320   $aIncludes bibliographical references (p. [165]-176) and index.
607   $aGeorgia$xHistory
608   $aElectronic books.
676   $a975.8
700   $aCobb$b James C$g(James Charles),$f1947-$0214896
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459334903321
996   $aGeorgia odyssey$92242874
997   $aUNINA

LEADER 02727nam  2200553   450 
001 9910796594903321
005 20230126220451.0
010   $a0-271-07978-9
010   $a0-271-07980-0
024 7 $a10.1515/9780271079806
035   $a(CKB)3840000000326088
035   $a(OCoLC)1052514699
035   $a(MdBmJHUP)muse68710
035   $a(MiAaPQ)EBC6224776
035   $a(DE-B1597)584484
035   $a(DE-B1597)9780271079806
035   $a(OCoLC)1262307487
035   $a(EXLCZ)993840000000326088
100   $a20201001d2017      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aColor in the age of impressionism $ecommerce, technology, and art /$fLaura Anne Kalba
210  1$aUniversity Park, Pennsylvania :$cPennsylvania State University Press,$d[2017]
210  4$d©2017
215   $a1 online resource (xvii, 266 pages )
225 1 $aRM, refiguring modernism
311 0 $a0-271-07700-X 
320   $aIncludes bibliographical references (pages 241-258) and index.
327   $tFront matter --$tCONTENTS --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$tChapter One. Michel- Eugène Chevreul, Color, and the Dangers of Excessive Variety --$tChapter Two . From Blue Roses to Yellow Violets: Flowers and the Cultivation of Color --$tChapter Three . Impressionism?s Chemical Aesthetic: The Materials and Meanings of Color --$tChapter Four . Fireworks: Color, Fantasy, and the Visual Culture of Modern Enchantment --$tChapter Five . Chromolithography: Posters, Trade Cards, and the Politics of Ephemera Collecting in Fin-de-Siècle France --$tEpilogue . Autochromes and Neo- Impressionism: The End of the Age of Impressionism --$tNotes --$tBibliography --$tIndex
330   $a"Analyzes the impact of color technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumiere brothers' perfection of the autochrome color photography process. Examines the development of the basic aesthetic schemata of modern visual culture"--Provided by publisher.
410  0$aRefiguring modernism.
606   $aColor in art
606   $aColor$xSocial aspects$zFrance$xHistory$y19th century
606   $aImpressionism (Art)$zFrance
615  0$aColor in art.
615  0$aColor$xSocial aspects$xHistory
615  0$aImpressionism (Art)
676   $a701.85
700   $aKalba$b Laura Anne$f1977-$01534477
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910796594903321
996   $aColor in the age of impressionism$93782100
997   $aUNINA