LEADER 03349nam 2200613 a 450 001 9910459296303321 005 20200520144314.0 010 $a1-282-91785-4 010 $a9786612917851 010 $a0-520-94733-9 024 7 $a10.1525/9780520947337 035 $a(CKB)2670000000060430 035 $a(EBL)613130 035 $a(OCoLC)699474579 035 $a(SSID)ssj0000440333 035 $a(PQKBManifestationID)11270984 035 $a(PQKBTitleCode)TC0000440333 035 $a(PQKBWorkID)10470670 035 $a(PQKB)11116817 035 $a(MiAaPQ)EBC613130 035 $a(DE-B1597)519224 035 $a(OCoLC)703168313 035 $a(DE-B1597)9780520947337 035 $a(Au-PeEL)EBL613130 035 $a(CaPaEBR)ebr10432602 035 $a(CaONFJC)MIL291785 035 $a(EXLCZ)992670000000060430 100 $a20100809d2011 uy p 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOf indigo and saffron$b[electronic resource] $enew and selected poems /$fMichael McClure ; edited and with an introduction by Leslie Scalapino 210 $aBerkeley, Calif. $cUniversity of California Press$dc2011 215 $a1 online resource (341 p.) 225 0 $aSimpson imprint in humanities. Of indigo and saffron 300 $aIncludes index. 311 $a0-520-26287-5 327 $tFrontmatter -- $tContents -- $tPreface -- $tIntroduction: The instant is the giant lamp we throw / our shadows by -- $tFrom Hymns to St. Geryon, 1959 -- $tFrom A Fist Full, 1956-1957 -- $tFrom Dark Brown, 1961 -- $tFrom The New Book/A Book of Torture, 1961 -- $tFrom Little Odes, 1961 -- $tFrom Ghost Tantras, 1964 -- $tFrom Star, 1970 -- $tFrom Hail Thee Who Play, 1974 -- $tFrom September Blackberries, 1974 -- $tFrom Jaguar Skies, 1975 -- $tFrom Fragments of Perseus, 1983 -- $tFrom Rebel Lions, 1984 -- $tFrom Simple Eyes & Other Poems, 1993 -- $tstanzas From Dolphin Skull, 1995 -- $tFrom Rain Mirror, 1999 -- $tFrom Plum Stones: Cartoons of No Heaven, 2002 -- $tCredits -- $tIndex of Titles and First Lines 330 $aThis essential collection of Michael McClure's poetry contains the most original, radical, and visionary work of a major poet who has been garnering acclaim and generating controversy for more than fifty years. Ranging from A Fist Full, published in 1957, through Swirls in Asphalt, a new poem sequence, Of Indigo and Saffron is both an excellent introduction to this unique American voice and an impressive selection from McClure's landmark volumes for those already familiar with his boldly inventive work. One of the five poets who heralded the Beat movement in the 1955 Six Gallery reading in San Francisco, McClure reveals in his poetry a close kinship to Romanticism, Modernism, Surrealism, and Japanese haiku. These poems-grounded in imagination and a profound regard for the natural world-chart a poetic landscape of utter originality. 606 $aAmerican poetry 608 $aElectronic books. 615 0$aAmerican poetry. 676 $a811/.54 700 $aMcClure$b Michael$0759947 701 $aScalapino$b Leslie$0953198 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459296303321 996 $aOf indigo and saffron$92456038 997 $aUNINA LEADER 03445nam 2200625 a 450 001 9910456515003321 005 20200520144314.0 010 $a9786613222565 010 $a90-272-8320-6 010 $a1-283-22256-6 035 $a(CKB)2550000000042983 035 $a(EBL)739943 035 $a(OCoLC)742333648 035 $a(SSID)ssj0000643382 035 $a(PQKBManifestationID)11395255 035 $a(PQKBTitleCode)TC0000643382 035 $a(PQKBWorkID)10652859 035 $a(PQKB)11071396 035 $a(MiAaPQ)EBC739943 035 $a(Au-PeEL)EBL739943 035 $a(CaPaEBR)ebr10488482 035 $a(EXLCZ)992550000000042983 100 $a19800513d1979 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAnatomy of the verb$b[electronic resource] $ethe Gothic verb as a model for a unified theory of aspect, actional types, and verbal velocity /$fAlbert L. Lloyd 210 $aAmsterdam $cJ. Benjamins$d1979 215 $a1 online resource (361 p.) 225 1 $aStudies in language companion series : SLCS,$x0165-7763 ;$vv. 4 300 $aDescription based upon print version of record. 311 $a90-272-3003-X 320 $aIncludes bibliographical references and index. 327 $aANATOMY OF THE VERB The Gothic Verb as a Model for a Unified Theory of Aspect, Actional Types, and Verbal Velocity; Editorial page; Title page; Copyright page; PREFACE; Table of Contents; ABBREVIATIONS; INTRODUCTION; PART I. THEORY; I. LANGUAGE AND REALITY; II. PREDICATIONAL BIDIMENSIONALITY; III. MULTIPARTITE ACTIONS AND THE PULSE THEORY OF ACTIONAL ENERGY; IV. VERBAL VELOCITIES AND THE CLASSIFICATION OF VERBS; V. PREDICATIONAL TIME AND THE PRESENT; VI. NON-PRESENT ACTIONS AND ASPECT; VII. ASPECTUAL CONTRASTS; VIII. ACTIONAL TYPES AND PARTIAL ACTIONS; IX. MULTIPLE ACTIONS; X. THE PERFECT 327 $aXI. ASPECT AND PREDICATIONAL TYPESXII. SUMMARY; PART II. APPLICATION: The Gothic Verb; I. THE USE OF GOTHIC ASPECT: CONDITIONING FACTORS; II. ASPECT AND PREDICATIONAL TYPES IN GOTHIC; III. GOTHIC POINT-ORIENTED COMPOUNDS; AFTERWORD; BIBLIOGRAPHY; INDEX OF GOTHIC VERBS; GENERAL INDEX 330 $aThe continuing debate over the existence or non-existence of formal verbal aspect in Gothic triggered the author to write this monograph whose aim is to provide a completely new foundation for a theory of aspect and related features. Gothic, with its limited corpus, representing a translation of the Greek, and showing interesting parallels with Slavic verbal constructions, serves and an illustrative model for the theory. In Part I the author argues that a unified theory of aspect, actional types, and verbal velocity presented there possesses an internal logic and is not at variance with observ 410 0$aStudies in language companion series ;$vv. 4. 606 $aGrammar, Comparative and general$xVerb 606 $aGothic language$xVerb 606 $aIndo-European languages$xVerb 608 $aElectronic books. 615 0$aGrammar, Comparative and general$xVerb. 615 0$aGothic language$xVerb. 615 0$aIndo-European languages$xVerb. 676 $a439/.9 700 $aLloyd$b Albert L.$f1930-$0857237 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456515003321 996 $aAnatomy of the verb$91914173 997 $aUNINA