LEADER 02957oam  2200637I  450 
001 9910459282803321
005 20200520144314.0
010   $a1-317-18532-3
010   $a1-317-18531-5
010   $a1-315-56567-6
010   $a1-282-64335-5
010   $a9786612643354
010   $a0-7546-9672-3
024 7 $a10.4324/9781315565675 
035   $a(CKB)2670000000032468
035   $a(EBL)546510
035   $a(OCoLC)652626130
035   $a(SSID)ssj0000432873
035   $a(PQKBManifestationID)11291236
035   $a(PQKBTitleCode)TC0000432873
035   $a(PQKBWorkID)10374823
035   $a(PQKB)11176657
035   $a(MiAaPQ)EBC546510
035   $a(MiAaPQ)EBC4456226
035   $a(Au-PeEL)EBL4456226
035   $a(CaPaEBR)ebr11507081
035   $a(OCoLC)1022790338
035   $a(OCoLC)948604755
035   $a(EXLCZ)992670000000032468
100   $a20180706e20162010  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAdrian Willaert and the theory of interval affect $ethe Musica nova madrigals and the novel theories of Zarlino and Vicentino /$fTimothy R. McKinney
210  1$aLondon ;$aNew York :$cRoutledge,$d2016.
215   $a1 online resource (337 p.)
300   $a"An Ashgate book"--Cover.
300   $aFirst published 2010 by Ashgate Publishing.
311   $a0-7546-6509-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Tables; List of Musical Examples; Acknowledgements; 1 Contexts; 2 Definition, Evaluation, and Validation of the Theory of Interval Affect; 3 Expressive Functions of Harmony in the Musica nova Madrigals; 4 Willaert's Other Madrigals and the Theory of Interval Affect; 5 The Compositional Legacy of Willaert's Theory of Interval Affect; Select Bibliography; Index
330   $aThe 'theory of interval affect' originates not with Nicola Vicentino or Gioseffo Zarlino, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extra musical ideas. For Willaert, the appellations 'major' and 'minor' no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a sha
606   $aMadrigals, Italian$zItaly$y16th century$xHistory and criticism
608   $aElectronic books.
615  0$aMadrigals, Italian$xHistory and criticism.
676   $a782.0092
700   $aMcKinney$b Timothy R.$f1956-,$0926998
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459282803321
996   $aAdrian Willaert and the theory of interval affect$92082621
997   $aUNINA