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100   $a19980722d1999      uc             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe picture in question$b[electronic resource] $eMark Tansey and the ends of representation /$fMark C. Taylor
210   $aChicago $cUniversity of Chicago Press$d1999
215   $a1 online resource (158 p.)
300   $aDescription based upon print version of record.
311   $a0-226-79128-9 
311   $a0-226-79129-7 
320   $aIncludes bibliographical references (p. 133-135) and index.
327   $tFrontmatter -- $tContents -- $tPreface -- $t1. Picturing Painting -- $t2. Re-presenting Representation -- $t3. Sutures of Structures -- $t4. Painting Under Erasure -- $t5. Figuring Complexity -- $t6. Transitions -- $tReferences for Paintings -- $tIndex
330   $aA rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's clear accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man will be an invaluable contribution to students and teachers of art. 
606   $aPainters
608   $aElectronic books.
615  0$aPainters.
676   $a709.2
700   $aTaylor$b Mark C.$f1945-$0158562
701   $aTansey$b Mark$f1949-$0919324
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459241203321
996   $aThe picture in question$92061851
997   $aUNINA