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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTippett Studies$b[electronic resource]
210   $aCambridge $cCambridge University Press$d1999
215   $a1 online resource (250 p.)
225 1 $aCambridge Composer Studies
300   $aDescription based upon print version of record.
311   $a0-521-59205-4 
327   $aCover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
327   $a4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V
327   $aAppendix: glossary of terms used in pitch-class set theoryIndex
330   $aThis book covers all of Tippett's style-periods and many of the key genres within his oeuvre.
410  0$aCambridge Composer Studies
606   $aComposers -- England -- Correspondence
606   $aComposers -- Great Britain -- Correspondence
606   $aTippett, Michael, 1905-1998 -- Correspondence
606   $aTippett, Michael, 1905-1998 -- Criticism and interpretation
608   $aElectronic books.
615  4$aComposers -- England -- Correspondence.
615  4$aComposers -- Great Britain -- Correspondence.
615  4$aTippett, Michael, 1905-1998 -- Correspondence.
615  4$aTippett, Michael, 1905-1998 -- Criticism and interpretation.
676   $a780
676   $a780.92
700   $aClarke$b David$0548865
702   $aClarke$b David
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910459181103321
996   $aTippett Studies$91984625
997   $aUNINA