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100   $a20140929d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAesthetics and film /$fKatherine Thomson-Jones
210  1$aLondon ;$aNew York :$cContinuum,$d2008.
215   $a1 online resource (159 p.)
225 1 $aContinuum aesthetics
300   $aDescription based upon print version of record.
311   $a0-8264-8522-7 
311   $a0-8264-8523-5 
320   $aIncludes bibliographical references (pages 129-142) and index.
327   $aPreface -- 1. Film as Art -- 2. Realism -- 3. Authorship -- 4. The Language of Film  -- 5. Narration in the Fiction Film -- 6. The Thinking Viewer  -- 7. The Feeling Viewer -- Notes -- Bibliography -- Index
330 8 $aAesthetics and Film is a philosophical study of the art of film. Its motivation is the recent surge of interest among analytic philosophers in the philosophical implications of central issues in film theory and the application of general issues in aesthetics to the specific case of film. Of particular interest are questions concerning the distinctive representational capacities of film art, particularly in relation to realism and narration, the influence of the literary paradigm in understanding film authorship and interpretation, and our imaginative and affective engagement with film. For all of these questions, Katherine Thomson-Jones critically compares the most compelling answers, driving home key points with a wide range of film examples including Wiene's The Cabinet of Doctor Caligari, Eisenstein's October, Hitchcock's Rear Window, Kubrick's The Shining and Sluizer's The Vanishing. Students and scholars of aesthetics and cinema will find this an illuminating, accessible and highly enjoyable investigation into the nature and power of a technologically evolving art form
410  0$aContinuum aesthetics.
606   $aMotion pictures$xAesthetics
606   $2Philosophy: aesthetics
615  0$aMotion pictures$xAesthetics.
676   $a791.4301
700   $aThomson-Jones$b Katherine$01056846
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906   $aBOOK
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996   $aAesthetics and film$92491506
997   $aUNINA