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010   $a9786613004376
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100   $a20080904d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aGraphic poetics$b[electronic resource] $epoetry as visual art /$fRichard Bradford
210   $aLondon ;$aNew York $cContinuum$dc2011
215   $a1 online resource (222 p.)
225 0 $aContinuum literary studies Graphic poetics 
300   $aDescription based upon print version of record.
311   $a1-4411-7517-2 
311   $a1-4411-2345-8 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgements; Introduction; 1. The Double Pattern; 2. Silent Poetics; 3. Critical Antipathy; 4. The Poet in the Poem; 5. Modernism: Two Versions of Free Verse; 6. Poems as Pictures; 7. The Sliding Scale; 8. The Sliding Scale and Recent Literary History; 9. Conclusion; Notes; Select Bibliography; Index
330   $aConcrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is r
606   $aPoetry and the arts
606   $aPoetics
608   $aElectronic books.
615  0$aPoetry and the arts.
615  0$aPoetics.
676   $a821.009
700   $aBradford$b Richard$f1957-$0740031
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459115503321
996   $aGraphic poetics$91921043
997   $aUNINA