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100   $a20100416d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$a'Tis pity she's a whore$b[electronic resource] $ea critical guide /$fedited by Lisa Hopkins
210   $aLondon ;$aNew York $cContinuum$dc2010
215   $a1 online resource (206 p.)
225 1 $aContinuum Renaissance drama
300   $aDescription based upon print version of record.
311   $a0-8264-9932-5 
311   $a0-8264-9933-3 
320   $aIncludes bibliographical references (p. [181]-185) and index.
327   $aContents; Series Introduction; Timeline; Introduction; Chapter 1 The Critical Backstory; Chapter 2 The Performance History; Chapter 3 The State of the Art; Chapter 4 New Directions: Fatal Attraction: Desire, Anatomy and Death in 'Tis Pity She's a Whore; Chapter 5 New Directions: Identifying the Real Whore of Parma; Chapter 6 New Directions: The Confessional Identities of 'Tis Pity She's a Whore; Chapter 7 New Directions: The Deconstructing 'Tis Pity?: Derrida, Barthes and Ford; Chapter 8 New Directions: 'Tis Pity She's a Whore and the Space of the Stage; Chapter 9 A Survey of Resources
327   $aBibliographyNotes on Contributors; Index
330   $aJohn Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further indiv
410  0$aContinuum Renaissance drama.
608   $aElectronic books.
676   $a822.3
701   $aHopkins$b Lisa$f1962-$0877169
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459101803321
996   $aTis pity she's a whore$91988461
997   $aUNINA