LEADER 05202oam 2200613I 450 001 9910459099003321 005 20211221221303.0 010 $a1-136-05305-0 010 $a1-136-05306-9 010 $a1-282-54066-1 010 $a9786612540660 010 $a0-08-088499-7 035 $a(CKB)2670000000019539 035 $a(EBL)535150 035 $a(MiAaPQ)EBC535150 035 $a(EXLCZ)992670000000019539 100 $a20180706d2010 uy 0 101 0 $aeng 135 $aurun#|||uuuuu 181 $ctxt 182 $cc 183 $acr 200 14$aThe complete film production handbook /$fEve Light Honthaner 205 $a4th ed. 210 $aBurlington $cFocal Press$d2010 215 $a1 online resource (531 p.) 300 $aDescription based upon print version of record. 311 $a1-138-12720-5 311 $a0-240-81150-X 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Table of Contents; Introduction; Acknowledgments; Forms in the book; Chapter 1: The Production Team andWho Does What; Introduction; Producers; Executive Producer; Producer; Co-Producer; Line Producer; Post Production Producer; Associate Producer; Production Management; Unit Production Manager; First Assistant Director; Second Assistant Director; Production Supervisor; Production Coordinator; Chapter 2: The Production Office; Introduction; Office Space; Setting Up; Phone Systems; The Traveling Production Kit; Answering the Phone; Confidentiality; Shredding 327 $aWatermarkingProduction Assistants; Interns; Ain't Technology Great?; Techie Wanted; Employees Driving Their OwnVehicles for BusinessPurposes; Staff Scheduling and Assignmentof Duties; Staff Meetings; Office Lunches; Time Management; Office Inventories, Logs, andSign-Out Sheets; The Files; Files of Blank Forms; Files for Features, Movies for Television, Cable or Internet; Series Files; Day Files; Forms in This Chapter; Chapter 3: Basic Accounting; Introduction; The Production Accountant; The Accounting Department; Handling Payroll; Payroll Companies; Accounting Guidelines 327 $aStart Paperwork PacketsPayroll; Box Rentals; Vendor Accounts; Competitive Bids; Purchase Orders; Check Requests; Petty Cash; Online Purchases; Cell Phone Reimbursement; Auto Allowances; Mileage Reimbursement; Drive-To; Per Diem and Living Allowance; Invoicing; Additional Taxable Income; The Budget; Tracking Costs; The Audit; Forms in This Chapter; Chapter 4: From Script to Schedule; Introduction; It All Starts with a Script; Script Revisions; The Breakdown; The Board; The Schedule; Day-Out-of-Days; Breakdowns; Chapter 5: Incentives; Introduction; The Evolution of IncentivePrograms; In Flux 327 $aWhat to ConsiderInfrastructure; Types of Incentives; Rebate; Tax Credits; Refundable Tax Credits; Transferable Tax Credits; Nonrefundable, Nontransferable Tax Credits; Up-Front or Back-End Funding; Chapter 6: Pre-Production; What Is Pre-Production?; Establishing Company Policies; Stages; Meetings, Meetings, and MoreMeetings; Communications; Cellular Phones, BlackBerrys,Wireless Internet and More; Walkie-Talkies; Previsualization; Plan Ahead; Sample Pre-ProductionSchedule; 327 $aWeek #1 (8 weeks to go); Week #2 (7 weeks to go); Week #3 (6 weeks to go); Week #4 (5 weeks to go) 327 $aWeek #5 (4 weeks to go)Week #6 (3 weeks to go); Week #7 (2 weeks to go); Week #8 (final week of prep); Daily Prep Schedules; More on Logs and Sign-OutSheets; Distribution; Collecting Information andMaking Lists; Crew Information Sheet; The Crew List; The Executive Staff List; The Cast List; The Contact List; Better Safe than Sorry; Pre-Production Checklist; Starting from Scratch; Creating Your Own ProductionManual; For Your Own Good; Forms in 327 $aThis Chapter; Chapter 7: Insurance Requirements; Introduction; General Insurance Guidelines; Errors and Omissions (E&O); Comprehensive GeneralLiability 327 $aCertificates of Insurance 330 $aThis book is for working film/TV professionals and students alike. If you're a line producer, production manager, production supervisor, assistant director or production coordinator--the book has everything you'll need (including all the forms, contracts, releases and checklists) to set up and run a production--from finding a production office to turning over delivery elements. 330 $aEven if you know what you're doing, you will be thrilled to find everything you need in one place. If you're not already working in film production, but think you'd like to be, read the book -- and then decide. If you c 606 $aMotion pictures$xProduction and direction$vHandbooks, manuals, etc 606 $aMotion pictures$vHandbooks, manuals, etc 608 $aElectronic books. 615 0$aMotion pictures$xProduction and direction 615 0$aMotion pictures 676 $a791.4302/32 700 $aHonthaner$b Eve Light$f1950-$0909429 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459099003321 996 $aThe complete film production handbook$92034786 997 $aUNINA LEADER 00789oam 2200265z- 450 001 9910139340703321 005 20071109083148.0 010 $a88-15-10778-9 010 $a88-15-14236-3 035 $a(CKB)2470000000005265 035 $a(EXLCZ)992470000000005265 100 $a20220316c2009uuuu -u- - 101 0 $aita 200 00$aOltre il declino /$fa cura di Tito Boeri ... [et. al.] 210 $cSocietà editrice il Mulino$aBologna 607 $aItaly$xEconomic policy$y21st century 700 $aBoeri$b Tito$039013 701 $aFaini$b Riccardo$0120875 701 $aIchino$b Andrea$0121973 701 $aPisauro$b Giuseppe$0118983 701 $aScarpa$b Carlo$010554 906 $aBOOK 912 $a9910139340703321 996 $aOltre il declino$92259891 997 $aUNINA LEADER 02567nam 22004213a 450 001 9910833001403321 005 20250513225229.0 010 $a9783835380332 010 $a3835380338 024 8 $ahttps://doi.org/10.46500/83535471 035 $a(CKB)5720000000263742 035 $a(ScCtBLL)cb2bac75-ecb1-49a4-beed-aef08f519014 035 $a(EXLCZ)995720000000263742 100 $a20240102i20232023 uu 101 0 $ager 135 $auru|||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$a"Das Zeitlose ist von kürzester Dauer" : $eInterviews, Meinungen und Proteste 1891-1931 /$fArthur Schnitzler, Martin Anton Müller 210 1$aGöttingen :$cWallstein Verlag,$d2023. 215 $a1 online resource (753 p.) 330 $aEine »öffentliche Biographie« Arthur Schnitzlers im Spiegel der Zeit - in bislang unerforschten Interviews, Meinungen und Protesten. Arthur Schnitzler gab angeblich keine Interviews, vermied es, Umfragen zu beantworten und äußerte sich nicht öffentlich. Doch über 180 weitgehend vergessene, bislang unerforscht Texte widerlegen diese Behauptung und bieten ein neues Bild seiner öffentlichen Person. Die Interviews, Meinungsäußerungen und Leserbriefe belegen Schnitzlers Bedeutung als Leserbriefschreiber und Interviewpartner für seine Zeitgenossinnen und Zeitgenossen. Martin Anton Müllers Edition stellt eine »öffentliche Biografie« dar, die dokumentiert, was man schon zu Lebzeiten von der Privatperson Schnitzlers wissen konnte. Der ausführliche Kommentar erläutert Fakten und Hintergründe, das Register erleichtert den Zugang und das Nachwort bietet eine vorzügliche Überblicksdarstellung. Insgesamt ergibt sich aus dieser Edition ein überraschendes Bild des berühmten Autors Arthur Schnitzler, der entgegen seiner angeblichen Zurückhaltung, in der Öffentlichkeit ein engagierter und eloquenter Gesprächspartner und Schriftsteller war. 606 $aLiterary Collections / Interviews$2bisacsh 606 $aLiterary Collections / Letters$2bisacsh 606 $aForeign Language Study / German$2bisacsh 608 $aAnthologies$2lcgft 615 7$aLiterary Collections / Interviews 615 7$aLiterary Collections / Letters 615 7$aForeign Language Study / German 700 $aSchnitzler$b Arthur$0320902 702 $aMu?ller$b Martin Anton 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910833001403321 996 $a"Das Zeitlose ist von ku?rzester Dauer"$94129403 997 $aUNINA