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010   $a9786612900846
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100   $a20180706h20182009  uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusic in the head $eliving at the brain-mind border /$fby Leo Rangell
205   $aFirst edition.
210  1$aBoca Raton, FL :$cRoutledge, an imprint of Taylor and Francis,$d[2018].
210  4$dİ2009
215   $a1 online resource (134 p.)
300   $aDescription based upon print version of record.
311   $a0-367-32275-7 
311   $a1-85575-724-9 
320   $aIncludes bibliographical references (p. 91-93).
327   $aCover; Copy Right; FOREWORD; INTRODUCTION; CHAPTER ONE: Background to an event; CHAPTER TWO: The sound of music; CHAPTER THREE: An early look around; CHAPTER FOUR: A decade later; CHAPTER FIVE: The science; CHAPTER SIX: Looking back; REFERENCES
330 3 $a'We are starting to see a rapprochement between psychoanalysis and neuroscience such as Freud could only dream of. Pay dirt will be found at the brain-mind border. One can now perhaps hope to have an analysis of release hallucinations, equally rooted in neurology and psychiatry, in biology and biography. It is such a synthesis which the author, one of our most distinguished psychoanalysts, attempts here. As both subject and observer, the author, trained in neurology and psychoanalysis, approaches his material with modesty and restraint, acutely aware of the dangers of over-inference and premature theorizing. And he does so in a style that is easy, unguarded, free of jargon, almost conversational.' - Oliver Sacks, from the Foreword.
606   $aPsychoanalysis
606   $aNeurosciences
606   $aAuditory hallucinations
608   $aElectronic books.
615  0$aPsychoanalysis.
615  0$aNeurosciences.
615  0$aAuditory hallucinations.
676   $a150.195
700   $aRangell$b Leo$0851227
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910459089403321
996   $aMusic in the head$91900600
997   $aUNINA