LEADER 02548nam 2200637 a 450 001 9910459077703321 005 20200520144314.0 010 $a1-283-15551-6 010 $a9786613155511 010 $a0-643-09817-8 035 $a(CKB)2670000000057974 035 $a(EBL)592480 035 $a(OCoLC)679416779 035 $a(SSID)ssj0000458942 035 $a(PQKBManifestationID)12161224 035 $a(PQKBTitleCode)TC0000458942 035 $a(PQKBWorkID)10460851 035 $a(PQKB)11023165 035 $a(MiAaPQ)EBC592480 035 $a(Au-PeEL)EBL592480 035 $a(CaPaEBR)ebr10620204 035 $a(CaONFJC)MIL315551 035 $a(EXLCZ)992670000000057974 100 $a20101214d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe life and death of the Australian backyard$b[electronic resource] /$fTony Hall 210 $aCollingwood, Vic. $cCSIRO Pub.$dc2010 215 $a1 online resource (177 p.) 300 $aDescription based upon print version of record. 311 $a0-643-09816-X 320 $aIncludes bibliographical references (p. 151-158) and index. 327 $acover; Contents; Preface and acknowledgements; Introduction; Chapter 1 The origins, form and function of the backyard; Chapter 2 The meaning of the backyard; Chapter 3 The death of the backyard; Chapter 4 Why is the backyard shrinking?; Chapter 5 Why does the planning system notprevent the shrinkage?; Colour plates; Chapter 6 What should be done to preserve the backyard?; Conclusion; References; Index 330 $aExamines the disappearance of the traditional, substantial Australian backyard. 606 $aBackyard gardens$xSocial aspects$zAustralia 606 $aDwellings$xSocial aspects$zAustralia 606 $aAustralians$xSocial life and customs$y21st century 606 $aDwellings$xDesign and construction$xEnvironmental aspects$zAustralia 607 $aAustralia$xSocial conditions$y21st century 608 $aElectronic books. 615 0$aBackyard gardens$xSocial aspects 615 0$aDwellings$xSocial aspects 615 0$aAustralians$xSocial life and customs 615 0$aDwellings$xDesign and construction$xEnvironmental aspects 676 $a392.360994 700 $aHall$b A. C$0937098 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459077703321 996 $aThe life and death of the Australian backyard$92110680 997 $aUNINA LEADER 02494oam 22005534a 450 001 9910524706203321 005 20230621141351.0 010 $a0-8018-0208-3 010 $a1-4214-3566-7 035 $a(CKB)4100000010460974 035 $a(OCoLC)1128075119 035 $a(MdBmJHUP)muse78505 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88965 035 $a(MiAaPQ)EBC29138963 035 $a(Au-PeEL)EBL29138963 035 $a(oapen)doab88965 035 $a(OCoLC)1526863582 035 $a(EXLCZ)994100000010460974 100 $a20191119h20191967 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aE. E. Cummings$eThe Art of His Poetry /$fNorman Friedman 205 $a1st ed. 210 $cJohns Hopkins University Press 215 $a1 online resource (1 online resource (209 pages)) 300 $aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License 300 $aOpen access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. 300 $aOriginally published as Johns Hopkins Press in 1967 311 08$a1-4214-3568-3 311 08$a1-4214-3567-5 320 $aIncludes bibliographical references (pages 185-197) and indexes 327 $aIntroduction: Criticism -- Vision -- Action -- Voice -- Device -- Creation -- Growth -- Post-Script: 95 Poems -- Appendix -- Subject Index -- Index of First Lines 330 $aIn E. E. Cummings: The Art of His Poetry, Norman Friedman argues that critics who have focused on what Cummings's poetry lacks have failed to judge Cummings on his strengths. Friedman identifies a main strength of Cummings as his being a "sensual mystic." The book unpacks Cummings's subject matter, devices, and symbolism, ultimately helping readers develop a deeper understanding and appreciation of Cummings's work. 606 $aLiterature: history & criticism$2bicssc 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 610 $aLiterature: history & criticism 615 7$aLiterature: history & criticism 676 $a811.52 700 $aFriedman$b Norman$029949 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524706203321 996 $aE. E. Cummings$92784191 997 $aUNINA