LEADER 06883nam 2200685Ia 450 001 9910459017103321 005 20200520144314.0 010 $a1-282-99176-0 010 $a9786612991769 010 $a90-420-3274-X 024 7 $a10.1163/9789042032743 035 $a(CKB)2560000000061683 035 $a(EBL)668968 035 $a(OCoLC)707068803 035 $a(SSID)ssj0000467796 035 $a(PQKBManifestationID)12162482 035 $a(PQKBTitleCode)TC0000467796 035 $a(PQKBWorkID)10496632 035 $a(PQKB)11263414 035 $a(MiAaPQ)EBC668968 035 $a(OCoLC)701012057 035 $a(nllekb)BRILL9789042032743 035 $a(Au-PeEL)EBL668968 035 $a(CaPaEBR)ebr10447243 035 $a(CaONFJC)MIL299176 035 $a(EXLCZ)992560000000061683 100 $a19941118d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCollective creativity$b[electronic resource] $ecollaborative work in the sciences, literature and the arts /$fedited by Gerhard Fischer and Florian Vassen 210 $aAmsterdam ;$aNew York $cRodopi$d2011 215 $a1 online resource (369 p.) 225 0$aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v148 300 $aPapers presented at the Sydney German Studies Symposium 2009, organized by the Department of German Studies at the University of New South Wales and held at the Goethe Institute Sydney from 23 to 26 July 2009. 311 $a90-420-3273-1 320 $aIncludes bibliographical references. 327 $tPreliminary Material -- $tSubversion of Creativity and the Dialectics of the Collective /$rRolf G. Renner -- $tFrom the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism /$rDavid Roberts -- $tIs Simulation a Collective Creative Practice? /$rAnnette Vowinckel -- $tCollective Creative Processes in Behavioural Studies: Community Theatre as an Agency of Political Research and Action /$rGerd Koch and Sinah Marx -- $tOld Know-how for New Challenges: East Germans and Collective Creativity? Two Anthropological Case Studies /$rPeter F. N. Hörz and Marcus Richter -- $tFrom Collective Creativity to Authorial Primacy: Gottsched?s Reformation of the German Theatre from a Mediological Point of View /$rFranz-Josef Deiters -- $tSynergetic Art Production: Choreography in Classical and Neo-classical Discourse on Performative Arts /$rGabriele Fois-Kaschel -- $tKindred Spirits: Collective Explorations of Individuality in the Classical Period (Goethe, Schiller, Wilhelm von Humboldt) /$rSusanne Ledanff -- $tKeeping it in the Family? The Creative Collaborations of Sophie and Dorothea Tieck /$rAlan Corkhill -- $tVision around 1800: The Panorama as Collective Artwork /$rAxel Fliethmann -- $tDEXA-Dan: Embedding the Corporeal Body /$rDanny McDonald , Katherine McDonald and Gavin Lambert -- $tBridging the Two Cultures: The Fragility of Interdisciplinary Creative Collaboration /$rJanet Chan , Roanna Gonsalves and Noreen Metcalfe -- $tNeo Rauch: Post-socialist Vision, Collective Memories /$rAnnette Hamilton -- $tCreative Co-productions: Alexander Kluge?s Television Experiments /$rTara Forrest -- $tCreativity Meets Circulation: Internet Videos, Amateurs and the Process of Evolution /$rRoman Marek -- $tFrom Avant-Garde to Capitalistic Teamwork: Collective Writing between Subversion and Submission /$rThomas Ernst -- $tTravelling Companions: Cook?s Second Voyage in the Writing of Georg and Johann Reinhold Forster /$rChristiane Weller -- $tThe Romancing of Collective Creativity: The ?Bitterfelder Weg? in Brigitte Reimann?s Letters and Diaries /$rAlison Lewis -- $tIntertextuality as Mandatory Collective Creativity? Textual Interconnection in Klaus Hoffer?s Novel Bei den Bieresch /$rStefanie Kreuzer -- $tCommunity in the Translation/Response Continuum: Poetry as Dialogic Play /$rChristopher Kelen -- $tFrom Author to Spectator: Collective Creativity as a Theatrical Play of Artists and Spectators /$rFlorian Vassen -- $tSpotlight on the Audience: Collective Creativity in Recent Documentary and Reality Theatre from Australia and Germany /$rUlrike Garde -- $tFluid Collectives of Friendly Strangers: The Creative Politics of Difference in the Reality Theatre of Rimini Protokoll and Urban Theatre Projects /$rMeg Mumford -- $tTranscultural Gestures: Collective Engagement in Theatre, Practice of Separation and Intermedial Crystallizations /$rGünther Heeg -- $tCall for Papers: The Sydney German Studies Symposium 2009 /$rGerhard Fischer -- $tContributors. 330 $aCollective Creativity combines complex and ambivalent concepts. While ?creativity? is currently experiencing an inflationary boom in popularity, the term ?collective? appeared, until recently, rather controversial due to its ideological implications in twentieth-century politics. In a world defined by global cultural practice, the notion of collectivity has gained new relevance. This publication discusses a number of concepts of creativity and shows that, in opposition to the traditional ideal of the individual as creative genius, cultural theorists today emphasize the collaborative nature of creativity; they show that ?creativity makes alterity, discontinuity and difference attractive?. Not the Romantic Originalgenie , but rather the agents of the ?creative economy? appear as the new avant-garde of aesthetic innovation: teams, groups and collectives in business and science, in art and digital media who work together in networking clusters to develop innovative products and processes. In this book, scholars in the social sciences and in cultural and media studies, in literature, theatre and visual arts present for the first time a comprehensive, inter- and transdisciplinary account of collective creativity in its multifaceted applications. They investigate the intersections of artistic, scientific and cultural practice where the individual and the collective merge, come together or confront each other. 410 0$aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft$v148. 606 $aCreative ability 606 $aCreative ability in literature 606 $aCreation (Literary, artistic, etc.) 608 $aElectronic books. 615 0$aCreative ability. 615 0$aCreative ability in literature. 615 0$aCreation (Literary, artistic, etc.) 676 $a943.087 701 $aFischer$b Gerhard$053059 701 $aVassen$b Florian$0458277 712 12$aSydney German Studies Symposium$f(2009) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459017103321 996 $aCollective creativity$91954474 997 $aUNINA