LEADER 00811nam0-22002531i-450- 001 990002748180403321 035 $a000274818 035 $aFED01000274818 035 $a(Aleph)000274818FED01 035 $a000274818 100 $a20000920d1916----km-y0itay50------ba 101 1$aENG 200 1 $aFabbriche di calci e cementi - Le zolfare -Le Miniere di Asfalto.$fdi Marchiaro C. La Barbera R. Giardina P. 210 $aTorino$cEditrice Torinese$d1916.( Uni one Tipografica). 700 1$aMarchiaro,$bCorrado$0372245 702 1$aLa Barbera,$bRosario 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002748180403321 952 $a31-3-8$bS.I.$fECA 959 $aECA 996 $aFabbriche di calci e cementi - Le zolfare -Le Miniere di Asfalto$9425396 997 $aUNINA DB $aING01 LEADER 01188nam2-2200385---450- 001 990003050550203316 005 20080124150804.0 010 $a88-8265-433-8 035 $a000305055 035 $aUSA01000305055 035 $a(ALEPH)000305055USA01 035 $a000305055 100 $a20080117h2007----km-y0itay50------ba 101 0 $aeng 102 $aIT 105 $aa|||z|||001yy 200 1 $aWater architecture in the lands of Syria$ethe water-wheels$fAdriana de Miranda 210 $aRoma$cL'Erma di Bretschneider$dcopyr. 2007 215 $a369 p.$d25 cm 225 2 $aStudia archaeologica$v156 410 0$1001000276039$aStudia archaeologica 606 0 $aMolini ad acqua$ySiria$xAntichità 606 0 $aRuote idrauliche$ySiria 676 $a714 702 1$aDE MIRANDA,$bAdriana 801 0$aIT$bsalbc$gISBD 912 $a990003050550203316 951 $aXI.5. Coll.13/97$b203263 L.M.$cXI.5.$d00065856 959 $aBK 969 $aUMA 979 $aPAOLA$b90$c20080117$lUSA01$h1436 979 $aPAOLA$b90$c20080117$lUSA01$h1439 979 $aPATRY$b90$c20080124$lUSA01$h1508 996 $aWater architecture in the lands of Syria$91021670 997 $aUNISA LEADER 03161oam 2200685I 450 001 9910459008703321 005 20200520144314.0 010 $a1-136-99599-4 010 $a1-136-99600-1 010 $a1-283-04494-3 010 $a9786613044945 010 $a0-203-85521-3 024 7 $a10.4324/9780203855218 035 $a(CKB)2560000000058693 035 $a(EBL)667831 035 $a(OCoLC)707259080 035 $a(SSID)ssj0000471611 035 $a(PQKBManifestationID)11331973 035 $a(PQKBTitleCode)TC0000471611 035 $a(PQKBWorkID)10417454 035 $a(PQKB)10581766 035 $a(OCoLC)701718184 035 $a(MiAaPQ)EBC667831 035 $a(Au-PeEL)EBL667831 035 $a(CaPaEBR)ebr10446837 035 $a(CaONFJC)MIL304494 035 $a(EXLCZ)992560000000058693 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNeo-feminist cinema $egirly films, chick flicks and consumer culture /$fHilary Radner 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (442 p.) 300 $aDescription based upon print version of record. 311 $a0-415-87774-1 311 $a0-415-87773-3 320 $aIncludes bibliographical references and index. 327 $aContents; Figures; Acknowledgments; Introduction; Chapter 1 Neo-Feminism and the Rise of the Single Girl; Chapter 2 Pretty Woman (1990) and the Girly Film; Chapter 3 Romy and Michele's High School Reunion (1997); Chapter 4 Legally Blonde (2001); Chapter 5 Jennifer Lopez; Chapter 6 Maid in Manhattan (2002); Chapter 7 Hit Movies for "Femmes" Chick Flicks and Chick Lit; Indie Films for the Female Demo: My Big Fat Greek Wedding (Joel Zwick, 2002) and Mamma Mia! (Phyllida Lloyd, 2008); Chapter 8 The Devil Wears Prada (2006); Chapter 9 Sex and the City: The Movie (2008) 327 $aChapter 10 Something's Gotta Give (2003)Conclusion; Notes; Index 330 $aWhat lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner's Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative ""girly films,"" including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being ""post-feminist," 606 $aFeminism and motion pictures 606 $aMotion pictures for women$zUnited States 606 $aWomen in motion pictures 608 $aElectronic books. 615 0$aFeminism and motion pictures. 615 0$aMotion pictures for women 615 0$aWomen in motion pictures. 676 $a791.43/6522 676 $a791.43082 700 $aRadner$b Hilary.$0551381 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459008703321 996 $aNeo-feminist cinema$92030745 997 $aUNINA