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100   $a20180706d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 12$aA choreographer's handbook /$fJonathan Burrows
210  1$aMilton Park, Abingdon, Oxon ;$aNew York :$cRoutledge,$d2010.
215   $a1 online resource (237 p.)
300   $aDescription based upon print version of record.
311   $a0-415-55530-2 
311   $a0-415-55529-9 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Copyright; Contents; Preface; Dancing / Principles; Material; Habits; Repetition; Repetition; Repetition; Improvisation / Cut and paste / Choreography paste / Choreography; Form; Exploration / Risk; Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Selfexpression; Contract / Performance space / Language / Choreography; Breaking the rules; Research / How and what? / Dramaturgy / Theory / Curiosity; Interview / Unfinished business / Questions / Principles; Financial limitations / Studios / Funding applications
327   $aPreparation / Rehearsal schedule / HeavinessCollaboration / Audience; Originality / Paradox; Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling; Virtuosity; Hoarding / Beginnings; Endings; Keeping it going / Pacing; Dub reggae / Rate of change / Simple material / Desperation; Stillness and silence / Fear of being boring; Minimal and maximal; Does it work? / Showings / Mentoring; Other bodies / States; Distracting the self / Paradox / Choreography / Performance / Electric guitars; Predictable and unpredictable / Expectation
327   $aNarrative / Ballet / ContinuityContinuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation; Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm; Time; Abstract dance; Counterpoint / Formal elements / Difference; Scores / Studios / Improvisation; Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy; Place or space?; Audience / Facing the front / Confrontation / Humour / Failure; Audience; Performance / Principles; The marketplace / Earning a living / Administrating the work / Commissions
327   $aMusic / Collaboration / SilenceText; Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity; Titles; Filming / History / Collaboration / Mirrors / Human-scale; Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what?; How can I simplify all of this?; Forget all this; Bibliography; Thanks; Biography of the author; Index
330   $aOn choreography: ""Choreography is a negotiation with the patterns your body is thinking""On rules: ""Try breaking the rules on a need to break the rules basis""A Choreographer's Handbook invites the reader to investigate how and why to make a dance performance. In an inspiring and unusually empowering sequence of stories, ideas and paradoxes, internationally renowned dancer, choreographer and teacher Jonathan Burrows explains how it's possible to navigate a course through this complex process.It is a stunning reflection on a personal practice and profes
606   $aChoreography$xStudy and teaching
606   $aDance$xStudy and teaching
608   $aElectronic books.
615  0$aChoreography$xStudy and teaching.
615  0$aDance$xStudy and teaching.
676   $a792.8/2
700   $aBurrows$b Jonathan.$0934206
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458956703321
996   $aA choreographer's handbook$92103203
997   $aUNINA