LEADER 03318nam 2200613 a 450 001 9910458941103321 005 20200520144314.0 010 $a1-283-06100-7 010 $a9786613061003 010 $a90-474-3361-0 024 7 $a10.1163/ej.9789004167742.i-276 035 $a(CKB)2610000000001536 035 $a(EBL)682405 035 $a(OCoLC)706507128 035 $a(SSID)ssj0000471155 035 $a(PQKBManifestationID)11299287 035 $a(PQKBTitleCode)TC0000471155 035 $a(PQKBWorkID)10427378 035 $a(PQKB)10336162 035 $a(MiAaPQ)EBC682405 035 $a(OCoLC)213408538 035 $a(nllekb)BRILL9789047433613 035 $a(Au-PeEL)EBL682405 035 $a(CaPaEBR)ebr10461200 035 $a(CaONFJC)MIL306100 035 $a(OCoLC)719377499 035 $a(PPN)170703223 035 $a(EXLCZ)992610000000001536 100 $a20080229d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMark at the threshold$b[electronic resource] $eapplying Bakhtinian categories to Markan characterisation /$fby Geoff R. Webb 210 $aLeiden ;$aBoston $cBrill$d2008 215 $a1 online resource (288 p.) 225 1 $aBiblical interpretation series ;$vv. 95 300 $aDescription based upon print version of record. 311 $a90-04-16774-9 320 $aIncludes bibliographical references (p. [241]-262) and indexes. 327 $tPreliminary Materials /$rG.R. Webb -- $tIntroduction /$rG.R. Webb -- $tChapter One. Bakhtinian Categories?Dialogue, Genre-Memory, Chronotope And Carnival /$rG.R. Webb -- $tChapter Two. ?Adventure? Chronotope And Comic Carnival In Mark 1?8 /$rG.R. Webb -- $tChapter Three. ?Threshold ? Chronotope And Comic Carnival In Mark 6:14?29 And 16:1?8 /$rG.R. Webb -- $tChapter Four. ?Road? Chronotope And Comic Carnival In Mark 8?10 /$rG.R. Webb -- $tChapter Five. ?Threshold ? Chronotope And Tragic Carnival In Mark 14:43?15:41 /$rG.R. Webb -- $tA Not-So-Final Conclusion /$rG.R. Webb -- $tBibliography /$rG.R. Webb -- $tSubject Index /$rG.R. Webb -- $tAuthor Index /$rG.R. Webb -- $tScripture Index /$rG.R. Webb. 330 $aThe discussion concerning Markan characterisation (and Markan genre) can be helpfully informed by Bakhtinian categories. This book uses the twin foci of chronotope and carnival to examine specific characters in terms of different levels of dialogue. Various passages in Mark are examined, and thresholds are noted between interindividual character-zones, and between the hearing-reader and text-voices. Several generic contacts are shown to have shaped the text?s ?genre-memory? ? in particular, the Graeco-Roman popular literature of the ancient world. The resultant picture is of an earthy, populist Gospel whose ?voices? resonate with the ?vulgar? classes, and whose spirituality is refreshingly relevant to everyday concerns. 410 0$aBiblical interpretation series ;$vv. 95. 608 $aElectronic books. 676 $a226.3/066 700 $aWebb$b Geoff R$0988245 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458941103321 996 $aMark at the threshold$92259820 997 $aUNINA