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010   $a9786611129385
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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aAccess all eras$b[electronic resource] $etribute bands and global pop culture /$fedited by Shane Homan
210   $aMaidenhead, Berkshire, England $cOpen University Press$d2006
215   $a1 online resource (269 p.)
300   $aDescription based upon print version of record.
311   $a0-335-21690-0 
320   $aIncludes bibliographical and discographical references and index.
327   $aFront cover; Half title; Title; Copyright; Contents; List of Contributors; Acknowledgements; Introduction; PART 1 INDUSTRIES AND AUDIENCES; Chapter 1 Even better than the real thing? Understanding the tribute band phenomenon; Chapter 2 'You've got to carry that weight': tribute acts in the entertainment supermarket; Chapter 3 Roses and rotten tomatoes: a case study of Liverpool's Mathew Street festival and the contested spaces of cultural redevelopment; Chapter 4 The Beatles live in Moscow, 1982: tribute audiences, music history and memory; PART 2 TRIBUTE CASE STUDIES
327   $aChapter 5 The music goes on and on and on... and on - popular music's affective franchiseChapter 6 In the wake of Hendrix: reflections on a life after death; Chapter 7 Fabricating the Fab Four: pastiche and parody; Chapter 8 'Smoke gets in your ears': the Marlboro Flashback tour as agent of change in the Netherlands; Chapter 9 Yearning for eleki: on Ventures tribute bands in Japan; Chapter 10 All the King's Elvii: identifying with Elvis through musical tribute; Chapter 11 Selling out or buying in? The dual career of the original and cover band musician
327   $aChapter 12 Toca Raul! Praise singers on Brazil's central plateauPART 3 COVERS AND ADAPTATIONS; Chapter 13 Tian ci - Faye Wong and English songs in the Cantopop and Mandapop repertoire; Chapter 14 Tribute without attribution: kopikat, covers and copyright in Papua New Guinea; Index; Back cover
330   $aExamines the tribute and cover band phenomenon and its place within the global popular music industry. This book also looks at music industry attitudes towards imitation, including copyright issues and the use of multimedia performance techniques to deliver the 'authentic' tribute experience.
606   $aPopular music
606   $aMusical groups
606   $aCover versions
606   $aPopular culture
608   $aElectronic books.
615  0$aPopular music.
615  0$aMusical groups.
615  0$aCover versions.
615  0$aPopular culture.
676   $a781.64
701   $aHoman$b Shane$0951511
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458940003321
996   $aAccess all eras$92151102
997   $aUNINA