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100   $a20110901d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPoliteness in Shakespeare$b[electronic resource] $eapplying Brown and Levinson's politeness theory to Shakespeare's comedies /$fAbdelaziz Bouchara
210   $aHamburg $cDiplomica Verlag$d2009
215   $a1 online resource (120 p.)
300   $aDescription based upon print version of record.
311   $a3-8366-7753-9 
320   $aIncludes bibliographical references.
327   $aPoliteness in Shakespeare; Table of Contents; Abbreviations; 1 Introduction; 2 The Brown and Levinson model: some central concepts; 3 Politeness theory and literary discourse; 4 Applying the model to four Shakespearean comedies; 5 Conclusion; 6. References; 7 Appendix; Abdelaziz Bouchara
330   $aPenelope Brown and Stephen Levinson have proposed that power (P), distance (D), and the ranked extremity (R) of a face-threatening act are the universal determinants of politeness levels in dyadic discourse. This claim is tested here for Shakespeare's use of Early Modern English in Much Ado about Nothing, Measure for Measure, The Taming of the Shrew, and Twelfth Night. The comedies are used because: (1) dramatic texts provide the best information on colloquial speech of the period; (2) the psychological soliloquies in the comedies provide the access to inner life that is necessary for a proper
606   $aEtiquette in literature
606   $aEtiquette
608   $aElectronic books.
615  0$aEtiquette in literature.
615  0$aEtiquette.
676   $a822.3
676   $a822.3/3
676   $a822.33
700   $aBouchara$b Abdelaziz$0898885
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906   $aBOOK
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996   $aPoliteness in Shakespeare$92008278
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