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100   $a20091210d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aPopular culture, crime and social control$b[electronic resource] /$fedited by Mathieu Deflem
205   $a1st ed.
210   $aBingley $cEmerald$d2010
215   $a1 online resource (300 p.)
225 1 $aSociology of crime, law and deviance,$x1521-6136 ;$v14
300   $aDescription based upon print version of record.
311   $a1-84950-732-5 
320   $aIncludes bibliographical references and index.
327   $aFront cover; Popular Culture Crime and Social Control; Copyright page; Contents; List of contributors; Introduction: The criminology of popular culture; References; Part I: Crime and Social Control in the Visual Arts; Chapter 1. Reefer Madness and beyond; Chapter 2. The Dark Knight: Constructing Images of Good vs. Evil in an Age of Anxiety; Chapter 3. Superhero justice: The depiction of crime and justice in modern-age comic books and graphic novels; Chapter 4. Televised images of jail: Lessons in controlling the unruly; Part II: Resistance, Crime, and Protest in Music
327   $aChapter 5. ''I broke the law? No, the law broke meexcl'' Palestinian hip-hop and the semiotics of occupationChapter 6. Rap music's violent and misogynistic effects: Fact or fiction?; Chapter 7. Crime, resistance and song: Black musicianship's black criminology; Chapter 8. The different sounds of American protest: From freedom songs to punk rock; Part III: Crime and Justie in Non-fiction; Chapter 9. Evil monsters and cunning perverts: Representing and regulating the dangerous paedophile; Chapter 10. Framing the scene: presentations of forensics programming in the news
327   $aChapter 11. Beach crime in popular culture: Confining the carnivalesque in Salvador da Bahia, BrazilChapter 12. Here be dragons: Lombroso, the gothic, and social control; Index
330   $aThis volume contains contributions on the theme of popular culture, crime, and social control. The chapters in this volume tease out various criminologically relevant issues, pertaining to crime/deviance and/or the control thereof, on the basis of an analysis of various aspects and manifestations of popular culture, including music, movies, television, paintings, sculptures, photographs, cartoons, and the internet-based audio-visual materials that are presently available. Thematically diverse within the province of criminology, the chapters in this book are not restricted in terms of theoretic
410  0$aSociology of crime, law, and deviance ;$vv. 14.
606   $aCrime
606   $aPopular culture
606   $aSocial control
608   $aElectronic books.
615  0$aCrime.
615  0$aPopular culture.
615  0$aSocial control.
676   $a364
701   $aDeflem$b Mathieu$0527250
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458921203321
996   $aPopular culture, crime and social control$92087210
997   $aUNINA