LEADER 03350oam 2200709I 450 001 9910458882303321 005 20200520144314.0 010 $a1-136-97408-3 010 $a1-136-97409-1 010 $a1-282-58651-3 010 $a9786612586514 010 $a0-203-85209-5 024 7 $a10.4324/9780203852095 035 $a(CKB)2670000000018775 035 $a(EBL)517098 035 $a(OCoLC)630539281 035 $a(SSID)ssj0000402338 035 $a(PQKBManifestationID)11278678 035 $a(PQKBTitleCode)TC0000402338 035 $a(PQKBWorkID)10425468 035 $a(PQKB)11341941 035 $a(MiAaPQ)EBC517098 035 $a(Au-PeEL)EBL517098 035 $a(CaPaEBR)ebr10389435 035 $a(CaONFJC)MIL258651 035 $a(OCoLC)645169654 035 $a(EXLCZ)992670000000018775 100 $a20180706d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe provocation of the senses in contemporary theatre /$fby Stephen DiBenedetto 210 1$aNew York :$cRoutledge,$d2010. 215 $a1 online resource (253 p.) 225 1 $aRoutledge advances in theatre and performance studies ;$v13 300 $aDescription based upon print version of record. 311 $a0-415-50699-9 311 $a0-415-87267-7 320 $aIncludes bibliographical references (p. [225]-231) and index. 327 $aOur sensing bodies: a multidisciplinary approach to understanding live theatrical experience -- Scintillating visions and visual perception: how light, movement and stage space capture our attention and stimulate our brains -- Attendant to touch: cutaneous stimulation and its expressive capabilities -- Noses, tongues and other surprising possibilities: harnessing olfaction and gustation in performance -- Aural landscapes: voices, noises, vibrations and other quivering stimulators of cochlear perception -- The sentient body: guiding somatic responses within performative structures. 330 $aDi Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form 410 0$aRoutledge advances in theatre and performance studies ;$v13. 606 $aPerforming arts 606 $aSenses and sensation 606 $aHuman information processing 606 $aPerforming arts$xPhilosophy 608 $aElectronic books. 615 0$aPerforming arts. 615 0$aSenses and sensation. 615 0$aHuman information processing. 615 0$aPerforming arts$xPhilosophy. 676 $a792.01/3 700 $aDi Benedetto$b Steve.$0875833 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458882303321 996 $aThe provocation of the senses in contemporary theatre$91955862 997 $aUNINA