LEADER 01864oam 2200529I 450 001 9910458826703321 005 20200520144314.0 010 $a0-415-94389-2 010 $a1-317-79405-2 010 $a1-315-81094-8 010 $a1-317-79406-0 024 7 $a10.4324/9781315810942 035 $a(CKB)2550000001280192 035 $a(MiAaPQ)EBC1679883 035 $a(Au-PeEL)EBL1679883 035 $a(CaPaEBR)ebr10864527 035 $a(CaONFJC)MIL601167 035 $a(OCoLC)881415610 035 $a(OCoLC)878405864 035 $a(EXLCZ)992550000001280192 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aRepresenting African music $epostcolonial notes, queries, positions /$fKofi Agawu 210 1$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (289 pages) $cillustrations 311 $a0-415-94390-6 311 $a1-306-69916-9 320 $aIncludes bibliographical references and index. 327 $a1. Colonialism's impact -- 2. The archive -- 3. The invention of "African rhythm" -- 4. Polymeter, additive rhythm, and other enduring myths -- 5. African music as text -- 6. Popular music defended against its devotees -- 7. Contesting difference -- 8. How not to analyze African music -- 9. The ethics of representation. 606 $aMusic$zAfrica$xHistory and criticism 606 $aPostcolonialism$zAfrica 608 $aElectronic books. 615 0$aMusic$xHistory and criticism. 615 0$aPostcolonialism 676 $a780/.67 700 $aAgawu$b V. Kofi$g(Victor Kofi),$0935946 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458826703321 996 $aRepresenting African music$92108413 997 $aUNINA