LEADER 02448nam 2200625 a 450 001 9910458776303321 005 20200520144314.0 010 $a1-283-02052-1 010 $a9786613020529 010 $a0-19-971435-5 035 $a(CKB)2560000000061055 035 $a(EBL)665450 035 $a(OCoLC)706136154 035 $a(SSID)ssj0000469522 035 $a(PQKBManifestationID)12124211 035 $a(PQKBTitleCode)TC0000469522 035 $a(PQKBWorkID)10511159 035 $a(PQKB)10086625 035 $a(MiAaPQ)EBC665450 035 $a(Au-PeEL)EBL665450 035 $a(CaPaEBR)ebr10453823 035 $a(CaONFJC)MIL302052 035 $a(EXLCZ)992560000000061055 100 $a20091102d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA geometry of music$b[electronic resource] $eharmony and counterpoint in the extended common practice /$fDmitri Tymoczko 210 $aNew York $cOxford University Press$d2011 215 $a1 online resource (469 p.) 225 1 $aOxford studies in music theory 300 $aDescription based upon print version of record. 311 $a0-19-533667-4 320 $aIncludes bibliographical references and index. 327 $apt. 1. Theory -- pt. 2. History and analysis. 330 $aMost listeners prefer tonal music to atonal music, but what exactly is the difference between them? In this groundbreaking work, author Dmitri Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. Tymoczko creates for the reader a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz. A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to musi 410 0$aOxford studies in music theory. 606 $aHarmony 606 $aCounterpoint 606 $aMusical analysis 608 $aElectronic books. 615 0$aHarmony. 615 0$aCounterpoint. 615 0$aMusical analysis. 676 $a781.2 700 $aTymoczko$b Dmitri$f1969-$0965465 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458776303321 996 $aA geometry of music$92190426 997 $aUNINA