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100   $a20180706h20011983  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWomen and film $eboth sides of the camera /$fE. Ann Kaplan
205   $a1st ed.
210  1$aLondon :$cRoutledge,$d1983, 2001.
215   $a1 online resource (273 p.)
300   $a"First published in 1983 by Methuen, Inc."
311   $a1-138-17354-1 
311   $a0-415-02764-0 
320   $aIncludes bibliography: p. [242]-252 and index.
327   $aCover; WOMEN AND FILM: Both sides of the camera; Copyright; Contents; List of plates; Preface; Acknowledgements; Introduction; PART I The classical and contemporary Hollywood cinema; 1 Is the gaze male?; 2 Patriarchy and the male gaze in Cukor's Camille (1936); 3 Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932); 4 The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946); 5 Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr Goodbar (1977)
327   $aPART II The independent feminist film6 The avant-gardes in Europe and the USA; 7 Silence as female resistance in Marguerite Duras's Nathalie Granger (1972); 8 Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981); 9 The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972-4); 10 The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81)
327   $a11 The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)12 Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-Rite (1978); 13 The woman director in the Third World: Sara Gomez's One Way or Another (1974); 14 The future of the independent feminist film: strategies of production, exhibition, and distribution in the USA; 15 Conclusion: Motherhood and patriarchal discourse; Notes; Filmographies and synopses; Appendix for teachers
327   $aBibliographyName index; Subject index
330   $a""Written with unequivocal enthusiasm for film, feminism and theory, ""Women and Film"" is a welcome and useful guide to a complex area.""--""The Arts"" 
606   $aWomen in motion pictures
606   $aWomen in the motion picture industry
606   $aFeminist films$xHistory and criticism
608   $aElectronic books.
615  0$aWomen in motion pictures.
615  0$aWomen in the motion picture industry.
615  0$aFeminist films$xHistory and criticism.
676   $a791.430909352042
700   $aKaplan$b E. Ann.$0460790
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458738503321
996   $aWomen and film$92487176
997   $aUNINA