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101 0 $aeng
135   $aur|n#---|||||
181   $ctxt
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183   $acr
200 10$aI too have some dreams $eN.M. Rashed and modernism in Urdu poetry /$fA. Sean Pue
210  1$aOakland, California :$cUniversity of California Press,$d2014.
210  4$d©2014
215   $a1 online resource (289 p.)
225 1 $aSouth Asia Across the Disciplines
300   $aDescription based upon print version of record.
311 0 $a0-520-28310-4 
311 0 $a1-306-89681-9 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tAcknowledgments --$tNote on Transliteration --$tIntroduction --$t1. Embodiment --$t2. Position without Identity --$t3. Allegory and Collectivity --$t4. Temporality --$tConclusion: Hasan the Potter --$tAppendix: Poems in Transliteration and Translation --$tNotes --$tBibliography --$tIndex
330   $aI Too Have Some Dreams explores the work of N. M. Rashed, Urdu's renowned modernist poet, whose career spans the last years of British India and the early decades of postcolonial South Asia. A. Sean Pue argues that Rashed's poetry carved out a distinct role for literature in the maintenance of doubt, providing a platform for challenging the certainty of collective ideologies and opposing the evolving forms of empire and domination. This finely crafted study offers a timely contribution to global modernist studies and to modern South Asian literary history.
410  0$aSouth Asia across the disciplines.
606   $aUrdu poetry$xHistory and criticism
606   $aLITERARY COLLECTIONS / Asian / General$2bisacsh
608   $aElectronic books.
615  0$aUrdu poetry$xHistory and criticism.
615  7$aLITERARY COLLECTIONS / Asian / General.
676   $a891.4/3916
700   $aPue$b A. Sean$f1975-$01037212
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458730503321
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