LEADER 04399oam 2200817I 450 001 9910458689303321 005 20210831225300.0 010 $a1-351-14843-5 010 $a1-351-14844-3 010 $a1-351-14842-7 010 $a1-281-33272-0 010 $a9786611332723 010 $a0-7546-9354-6 010 $a0-7546-9288-4 024 7 $a10.4324/9781351148443 035 $a(CKB)1000000000401039 035 $a(EBL)438578 035 $a(OCoLC)560657022 035 $a(SSID)ssj0000253131 035 $a(PQKBManifestationID)11217053 035 $a(PQKBTitleCode)TC0000253131 035 $a(PQKBWorkID)10180711 035 $a(PQKB)10491020 035 $a(MiAaPQ)EBC438578 035 $a(MiAaPQ)EBC5228925 035 $a(Au-PeEL)EBL438578 035 $a(CaPaEBR)ebr10228276 035 $a(CaONFJC)MIL133272 035 $a(OCoLC)1019716347 035 $a(EXLCZ)991000000000401039 100 $a20180706d2018 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStyle and the Nineteenth-Century British Critic $eSincere Mannerisms /$fJason Camlot (Concordia University) 205 $aFirst edition. 210 1$aLondon :$cTaylor and Francis,$d2018. 215 $a1 online resource (207 p.) 225 1 $aThe nineteenth century 300 $aDescription based upon print version of record. 311 $a0-8153-9723-2 311 $a0-7546-5311-0 320 $aIncludes bibliographical references (p. [171]-183) and index. 327 $aIntroduction : sincere mannerisms -- The character of the periodical press -- The origins of modern earnest -- The downfall of authority and the new magazine -- Thomas de Quincey's periodical rhetoric -- The political economy of style : John Ruskin and critical truth -- The Victorian critic as naturalizing agent -- The style is the man : style theory in the 1890s. 330 $a"In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when a previously coherent tradition of pragmatic rhetoric was fragmented and redistributed into the diverse, localized sites of an emerging periodicals market. Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism-one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression."--Provided by publisher. 410 0$aNineteenth century (Aldershot, England) 606 $aEnglish prose literature$y19th century$xHistory and criticism 606 $aCriticism$zGreat Britain$xHistory$y19th century 606 $aPeriodicals$xPublishing$zGreat Britain$xHistory$y19th century 606 $aEnglish language$y19th century$xRhetoric 606 $aEnglish language$y19th century$xStyle 606 $aStyle, Literary$xHistory$y19th century 606 $aMannerism (Literature) 608 $aElectronic books. 615 0$aEnglish prose literature$xHistory and criticism. 615 0$aCriticism$xHistory 615 0$aPeriodicals$xPublishing$xHistory 615 0$aEnglish language$xRhetoric. 615 0$aEnglish language$xStyle. 615 0$aStyle, Literary$xHistory 615 0$aMannerism (Literature) 676 $a828/.80809 700 $aCamlot$b Jason$f1967-$01037439 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910458689303321 996 $aStyle and the Nineteenth-Century British Critic$92458423 997 $aUNINA