LEADER 02421nam 2200601 a 450 001 9910458673703321 005 20200520144314.0 010 $a1-282-98493-4 010 $a9786612984938 010 $a0-85785-081-4 035 $a(CKB)2560000000055564 035 $a(EBL)659582 035 $a(OCoLC)701719393 035 $a(SSID)ssj0000469045 035 $a(PQKBManifestationID)12192689 035 $a(PQKBTitleCode)TC0000469045 035 $a(PQKBWorkID)10510357 035 $a(PQKB)10685418 035 $a(MiAaPQ)EBC659582 035 $a(Au-PeEL)EBL659582 035 $a(CaPaEBR)ebr10446314 035 $a(CaONFJC)MIL298493 035 $a(OCoLC)893335293 035 $a(EXLCZ)992560000000055564 100 $a20060824d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aExtreme metal$b[electronic resource] $emusic and culture on the edge /$fKeith Kahn-Harris 210 $aOxford ;$aNew York $cBerg$d2007 215 $a1 online resource (204 p.) 300 $aDescription based upon print version of record. 311 $a1-84520-399-2 311 $a1-84520-398-4 320 $aIncludes bibliographical references (p. [171]-181) and index. 327 $aThe extreme metal scene -- The scene and transgression -- Experiencing the scene -- Capital, power, infrastructure -- Comparing extreme metal scenes -- Extreme metal and subcultural capital -- Reflexivity, music and politics -- The scene and modernity. 330 $aExtreme metal - one step beyond heavy metal - can appear bizarre or terrifying to the uninitiated. Extreme metal musicians have developed an often impenetrable sound that teeters on the edge of screaming, incomprehensible noise. This book explores the global extreme metal scene. Please note that images have been excluded from this text due to copyright restrictions. 606 $aExtreme metal (Music)$xHistory and criticism 606 $aExtreme metal (Music)$xSocial aspects 608 $aElectronic books. 615 0$aExtreme metal (Music)$xHistory and criticism. 615 0$aExtreme metal (Music)$xSocial aspects. 676 $a781.66 700 $aKahn-Harris$b Keith$f1971-$0932071 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458673703321 996 $aExtreme metal$92096706 997 $aUNINA