LEADER 03865nam 2200697 450 001 9910458641103321 005 20200520144314.0 010 $a1-4426-9760-1 024 7 $a10.3138/9781442697607 035 $a(CKB)2560000000054420 035 $a(OCoLC)705263685 035 $a(CaPaEBR)ebrary10442589 035 $a(SSID)ssj0000485487 035 $a(PQKBManifestationID)11294033 035 $a(PQKBTitleCode)TC0000485487 035 $a(PQKBWorkID)10603922 035 $a(PQKB)10358388 035 $a(CEL)433633 035 $a(CaBNvSL)slc00226125 035 $a(MiAaPQ)EBC3272801 035 $a(MiAaPQ)EBC4672928 035 $a(DE-B1597)465211 035 $a(OCoLC)1013956041 035 $a(OCoLC)944176553 035 $a(DE-B1597)9781442697607 035 $a(Au-PeEL)EBL4672928 035 $a(CaPaEBR)ebr11258579 035 $a(OCoLC)958572199 035 $a(EXLCZ)992560000000054420 100 $a20160926h20092009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLast Judgment iconography in the Carpathians /$fJohn-Paul Himka 210 1$aToronto, Ontario ;$aBuffalo, New York ;$aLondon, England :$cUniversity of Toronto Press,$d2009. 210 4$dİ2009 215 $a1 online resource (326 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4875-2341-6 311 $a0-8020-9809-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tIllustrations -- $tMaps -- $tAcknowledgments -- $tAbbreviations -- $t1. Introduction -- $t2. Origins -- $t3. Further Elaboration -- $t4. Disintegration -- $t5. Conclusions -- $tAppendix 1. Place Names in Different Languages -- $tAppendix 2. Ephraim the Syrian's Sermon on the Second Coming of Our Lord Jesus Christ: Summary -- $tAppendix 3. The Life of St Basil the New: Summary -- $tAppendix 4. Early Modern Ukrainian Sermons on the Last Judgment -- $tCatalogue of Images of the Last Judgment -- $tNotes -- $tBibliography -- $tIndex 330 $aFew subjects in Christianity have inspired artists as much as the last judgment. Last Judgment Iconography in the Carpathians examines images of the last judgment from the fifteenth century to the present in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania, as a way to consider history free from the traditional frameworks and narratives of nations. Over ten years, John-Paul Himka studied last-judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region.Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Tracing their origins with monks, he follows these images' increased popularity as they were commissioned by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and slavists. 606 $aJudgment Day in art 606 $aApocalypse in art 606 $aIcons$zCarpathian Mountains Region$xHistory 608 $aElectronic books. 615 0$aJudgment Day in art. 615 0$aApocalypse in art. 615 0$aIcons$xHistory. 676 $a704.9/482094779 700 $aHimka$b John-Paul$f1949-$0508950 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458641103321 996 $aLast Judgment iconography in the Carpathians$92285854 997 $aUNINA