LEADER 03734nam 2200673 450 001 9910458631403321 005 20200520144314.0 010 $a1-4426-8693-6 024 7 $a10.3138/9781442686939 035 $a(CKB)2560000000054256 035 $a(OCoLC)759157216 035 $a(CaPaEBR)ebrary10442436 035 $a(SSID)ssj0000485265 035 $a(PQKBManifestationID)12194367 035 $a(PQKBTitleCode)TC0000485265 035 $a(PQKBWorkID)10602806 035 $a(PQKB)10225441 035 $a(CEL)433731 035 $a(CaBNvSL)slc00226222 035 $a(MiAaPQ)EBC3272650 035 $a(MiAaPQ)EBC4672500 035 $a(DE-B1597)464117 035 $a(OCoLC)944176905 035 $a(OCoLC)999361194 035 $a(DE-B1597)9781442686939 035 $a(Au-PeEL)EBL4672500 035 $a(CaPaEBR)ebr11258167 035 $a(OCoLC)958565612 035 $a(EXLCZ)992560000000054256 100 $a20160923h20102010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInto the past $ethe cinema of Guy Maddin /$fWilliam Beard 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2010. 210 4$dİ2010 215 $a1 online resource (486 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4426-1066-2 311 $a1-4426-4139-8 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tAcknowledgments -- $tA Note on DVD Sources -- $tIntroduction -- $t1. The Dead Father (1986) -- $t2. Tales from the Gimli Hospital (1988) -- $t3. Archangel (1990) -- $t4. Careful (1992) -- $t5. Twilight of the Ice Nymphs (1997) -- $t6. Dracula - Pages from a Virgin's Diary (2002) -- $t7. Cowards Bend the Knee: or, The Blue Hands (2003) -- $t8. The Saddest Music in the World (2004) -- $t9. Brand upon the Brain! (2006) -- $t10. My Winnipeg (2007) -- $tEnvoi -- $tAppendix: The Short Films -- $tNotes -- $tBibliography -- $tIndex 330 $aGuy Maddin started making films in his back yard and on his kitchen table. Now his unique work, which relies heavily on such archaic means as black and white small-format cinematography and silent-film storytelling, premieres at major film festivals around the world and is avidly discussed in the critical press. Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.William Beard's extensive analysis of Maddin's narrative and aesthetic strategies, themes, influences, and underlying issues also examines the origins and production history of each film. Each of Maddin's projects and collaborations showcase his gradual evolution as a filmmaker and his singular development of narrative forms. Beard's close readings of these films illuminate, among other things, the profound ways in which Maddin's art is founded in the past - both in the cultural past, and in his personal memory. 606 $aMotion picture producers and directors$zCanada 606 $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh 608 $aElectronic books. 615 0$aMotion picture producers and directors 615 7$aPERFORMING ARTS / Film & Video / History & Criticism. 676 $a791.4302/33092 700 $aBeard$b William$f1946-$0901394 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458631403321 996 $aInto the past$92014781 997 $aUNINA