LEADER 03210nam 2200589 450 001 9910458622903321 005 20200520144314.0 010 $a1-4426-8714-2 024 7 $a10.3138/9781442687141 035 $a(CKB)2560000000054289 035 $a(OCoLC)703149622 035 $a(CaPaEBR)ebrary10442439 035 $a(CEL)435081 035 $a(CaBNvSL)slc00226226 035 $a(MiAaPQ)EBC3272653 035 $a(MiAaPQ)EBC4672517 035 $a(DE-B1597)464121 035 $a(OCoLC)1013957369 035 $a(OCoLC)944176941 035 $a(DE-B1597)9781442687141 035 $a(Au-PeEL)EBL4672517 035 $a(CaPaEBR)ebr11258183 035 $a(OCoLC)958514623 035 $a(EXLCZ)992560000000054289 100 $a20160923h20102010 uy p 101 0 $aeng 135 $aurcn||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe poetics of speech in the medieval Spanish epic /$fMatthew Bailey 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2010. 210 4$d©2010 215 $a1 online resource (158 p.) 311 $a1-4426-4156-8 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1. The Critical Response to Oral Composition -- $t2. Learned Culture -- $t3. The Cantar de Mio Cid -- $t4. The Poema de Fernán González -- $t5. The Mocedades de Rodrigo -- $tConclusion -- $tNotes -- $tWorks Cited -- $tIndex 330 $aThe Poetics of Speech in the Medieval Spanish Epic explores the composition of manuscript texts in thirteenth-century Spain. Of the vernacular epic poems originating with the minstrels of this era, only three full-length works remain: Cantar de Mio Cid, Poema de Fernán González, and Mocedades de Rodrigo, all preserved and recorded by members of the clergy. By analyzing expressive traits found in these three poems, Matthew Bailey links them to the cognitive processes that take place in the minds of speakers as narration unfolds.In Latin and other vernacular texts from the same period, authors identify their sources as oral, describe oral compositional techniques, and detail modes of processing texts in medieval monastic environments. Using the information provided by these details, as well as a close technical reading of the three epic poems, Bailey incorporates the methodologies and concepts of discourse analysis in an examination of expression in the Spanish epic and points convincingly to oral composition as the initial step in text creation for the period. 606 $aEpic poetry, Spanish$xHistory and criticism 606 $aSpanish poetry$yTo 1500$xHistory and criticism 608 $aElectronic books. 615 0$aEpic poetry, Spanish$xHistory and criticism. 615 0$aSpanish poetry$xHistory and criticism. 676 $a861/.0320901 700 $aBailey$b Matt$g(Matthew),$0906417 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458622903321 996 $aThe poetics of speech in the medieval Spanish epic$92027023 997 $aUNINA