LEADER 03971nam 22006612 450 001 9910458416903321 005 20151002020704.0 010 $a0-7486-8949-4 010 $a0-7486-7101-3 010 $a1-282-62056-8 010 $a9786612620560 010 $a0-7486-4220-X 035 $a(CKB)2560000000011176 035 $a(EBL)537019 035 $a(OCoLC)638860161 035 $a(SSID)ssj0000423003 035 $a(PQKBManifestationID)11260863 035 $a(PQKBTitleCode)TC0000423003 035 $a(PQKBWorkID)10432834 035 $a(PQKB)11646564 035 $a(UkCbUP)CR9780748642205 035 $a(StDuBDS)EDZ0000092840 035 $a(MiAaPQ)EBC537019 035 $a(Au-PeEL)EBL537019 035 $a(CaPaEBR)ebr10391722 035 $a(CaONFJC)MIL262056 035 $a(EXLCZ)992560000000011176 100 $a20130327d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMemory and the moving image $eFrench film in the digital era /$fIsabelle McNeill$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2010. 215 $a1 online resource (viii, 181 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-4942-5 311 $a0-7486-3891-1 320 $aIncludes bibliographical references (p. 165-175) and index. 320 $aIncludes filmography. 327 $aIntroduction: film and memory in contemporary France -- Memory and the moving image -- Virtual museums and memory objects -- Facing the past -- Memory maps and city space -- Conclusion. 330 $aA vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience. Memory and the Moving Image: *Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films *Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability *Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations *Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agne?s Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui *Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories. Works considered include Jean-Luc Godard's Histoire(s) du Cine?ma (1989-98), Yamina Benguigui's Me?moires d'Immigre?s (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Cache? (2005) and Agne?s Varda's multi-media exhibition, L'I?le et Elle (2006). 517 3 $aMemory & the Moving Image 606 $aCollective memory 606 $aMemory in motion pictures 606 $aMotion pictures, French 615 0$aCollective memory. 615 0$aMemory in motion pictures. 615 0$aMotion pictures, French. 676 $a791.430944 700 $aMcNeill$b Isabelle$cDr,$01051216 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910458416903321 996 $aMemory and the moving image$92481567 997 $aUNINA