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100   $a20080613d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aNarrating the nation$b[electronic resource] $erepresentations in history, media, and the arts /$fedited by Stefan Berger, Linas Eriksonas, and Andrew Mycock
210   $aNew York $cBerghahn Books$d2008
215   $a1 online resource (360 p.)
225 1 $aMaking sense of history ;$vv. 11
300   $aDescription based upon print version of record.
311   $a0-85745-173-1 
311   $a1-84545-424-3 
320   $aIncludes bibliographical references (p. [315]-331) and index.
327   $aTitle page-Narrating the Nation; Contents; List of Illustrations; Acknowledgements; Introduction; Part I-Scientific Approaches to National Narratives; Chapter 1-Historical Representation, Identity, Allegiance; Chapter 2-Drawing the Line; Chapter 3-National Histories; Part II-Narrating the Nation as Literature; Chapter 4-Fiction as a Mediator in National Remembrance; Chapter 5-The Institutionalisation and Nationalisation of Literature in Nineteenth-century Europe; Chapter 6-Towards the Genre of Popular National History: Walter Scott after Waterloo
327   $aChapter 7-Families, Phantoms and the Discourse of ""Generations"" as a Politics of the PastPart III-Narrating the Nation as Film; Chapter 8-Sold Globally-Remembered Locally; Chapter 9-Cannes 1956/1979; Part IV-Narrating the Nation as Art and Music; Chapter 10-From Discourse to Representation; Chapter 11-Personifying the Past; Chapter 12-The Nation in Song; Part V-Non-European Perspectives on Nation and Narration; Chapter 13-""People's History"" in North America; Chapter 14-The Configuration of Orient and Occident in the Global Chain of National Histories; Notes on Contributors; Bibliography
327   $aIndex
330   $aA sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the Eur
410  0$aMaking sense of history ;$vv. 11.
606   $aNationalism and the arts$zEurope
606   $aArts, European
606   $aNationalism and historiography$zEurope
608   $aElectronic books.
615  0$aNationalism and the arts
615  0$aArts, European.
615  0$aNationalism and historiography
676   $a940.072
701   $aBerger$b Stefan$0156730
701   $aEriksonas$b Linas$01032743
701   $aMycock$b Andrew$01032744
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458400903321
996   $aNarrating the nation$92450761
997   $aUNINA