LEADER 09709nam 2200685Ia 450 001 9910458384603321 005 20200520144314.0 010 $a3-7643-8140-X 024 7 $a10.1007/978-3-7643-8140-0 035 $a(CKB)1000000000393864 035 $a(EBL)1038165 035 $a(OCoLC)858228875 035 $a(SSID)ssj0000322532 035 $a(PQKBManifestationID)11268119 035 $a(PQKBTitleCode)TC0000322532 035 $a(PQKBWorkID)10286923 035 $a(PQKB)11221331 035 $a(MiAaPQ)EBC3063015 035 $a(DE-B1597)206162 035 $a(OCoLC)1030303121 035 $a(OCoLC)979879354 035 $a(DE-B1597)9783764381400 035 $a(MiAaPQ)EBC1038165 035 $a(Au-PeEL)EBL3063015 035 $a(CaPaEBR)ebr10231837 035 $a(CaONFJC)MIL134406 035 $a(OCoLC)922962202 035 $a(Au-PeEL)EBL1038165 035 $a(EXLCZ)991000000000393864 100 $a20080325d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDesign dictionary$b[electronic resource] $eperspectives on design terminology /$fMichael Erlhoff, Tim Marshall (eds.) 210 $aBasel $cBirkhauser Verlag AG$dc2008 215 $a1 online resource (450 p.) 225 1 $aBoard of international research in design 300 $aDescription based upon print version of record. 311 $a3-7643-7739-9 327 $t Frontmatter -- $t Foreword BIRD -- $t Design in a Dictionary -- $tA -- $t ACOUSTICS -- $t ADDED VALUE -- $t ADVERTISEMENT -- $t AERODYNAMICS -- $t AESTHETICS -- $t AFFORDANCE -- $t AGIT PROP -- $t ANIMATION -- $t ANONYMOUS DESIGN -- $t ARCHITECTURAL DESIGN -- $t ART DECO -- $t ART DIRECTION -- $t ARTIFACT -- $t ART NOUVEAU -- $t ARTS & CRAFTS -- $t ASPEN -- $t AUDIOVISUAL DESIGN -- $t AUTEUR DESIGN -- $t AUTOMOBILE DESIGN -- $tB -- $t BAUHAUS -- $t BEAUTY -- $t BEL DESIGN -- $t BENCHMARKING -- $t BIONICS -- $t BLACK MOUNTAIN COLLEGE -- $t BLUEPRINT -- $t BRAINSTORMING -- $t BRAND -- $t BRANDING -- $t BRIEF -- $t BROADCAST DESIGN -- $tC -- $t CAD / CAM / CIM / CNC -- $t CAMPAIGN -- $t CAPITAL GOODS -- $t CAR DESIGN -- $t CHARACTER DESIGN -- $t COATING -- $t COLLABORATIVE DESIGN -- $t COLLECTIONS -- $t COMMERCIAL -- $t COMMUNICATION DESIGN -- $t COMMUNICATIONS -- $t COMPLEXITY -- $t COMPONENTS -- $t COMPOSITING -- $t CONCEPTUAL DESIGN -- $t CONSTRUCTION -- $t CONSTRUCTIVISM -- $t CONSUMPTION -- $t CONTINUITY -- $t CONVENTION -- $t CONVERGENCE -- $t CONVERSATION PIECE -- $t COORDINATION -- $t COPY -- $t COPYRIGHT -- $t CORPORATE CULTURE -- $t CORPORATE DESIGN -- $t CORPORATE FASHION -- $t CORPORATE IDENTITY -- $t CRAFT -- $t CREATIVITY -- $t CREDIBILITY -- $t CRITICAL DESIGN -- $t CRITICISM -- $t CRITIQUE -- $t CROSS-CULTURAL DESIGN -- $t CROSSOVER -- $t CUSTOMIZATION -- $tD -- $t DADA AND DESIGN -- $t DECONSTRUCTION -- $t DECORATION -- $t DESIGN -- $t DESIGN AGAINST CRIME -- $t DESIGN AND POLITICS -- $t DESIGN ASSOCIATIONS -- $t DESIGN AWARDS -- $t DESIGN CENTERS -- $t DESIGN COMPETENCE -- $t DESIGN CRITICISM -- $t DESIGN EDUCATION -- $t DESIGN HISTORY -- $t DESIGNING -- $t DESIGN MANAGEMENT -- $t DESIGN METHODS -- $t DESIGN MUSEUMS -- $t DESIGN PLANNING -- $t DESIGN PROCESS -- $t DESIGN PUBLICATIONS -- $t DESIGN RESEARCH -- $t DESIGN SOLUTIONS -- $t DESIGN STRATEGY -- $t DESIGN THEORY -- $t DEUTSCHER WERKBUND -- $t DIGITAL DESIGN -- $t DISCIPLINE -- $t DISPLAY -- $tE -- $t ECO DESIGN -- $t EDUCATION -- $t ENGINEERING DESIGN -- $t ENVIRONMENTAL DESIGN -- $t ERGONOMICS -- $t ETHICS -- $t EVALUATION -- $t EVENT DESIGN -- $t EXHIBITION DESIGN -- $tF -- $t FAKE -- $t FASHION DESIGN -- $t FEASIBILITY STUDIES -- $t FLOP -- $t FLYER -- $t FOOD DESIGN -- $t FORM -- $t FUNCTION -- $t FUNCTIONALISM -- $t FUNCTIONAL MODEL -- $t FURNITURE DESIGN -- $t FUTURISTIC DESIGN -- $tG -- $t GAME DESIGN -- $t GARDEN DESIGN -- $t GENDER DESIGN -- $t GESTALTUNG -- $t GIMMICK -- $t GLOBALIZATION -- $t GOOD DESIGN -- $t GRAPHIC DESIGN -- $t GREEN DESIGN -- $tH -- $t HANDICRAFT -- $t HAPTICS -- $t HARDWARE -- $t HEURISTICS -- $t HIGH TECH -- $t HISTORY -- $t HUMAN COMPUTER INTERACTION (HCI) -- $t HUMAN FACTORS -- $t HYPERTEXT -- $tI -- $t ILLUSTRATION -- $t IMITATION -- $t INDUSTRIAL DESIGN -- $t INFORMATION -- $t INFORMATION DESIGN -- $t INNOVATION -- $t INTEGRATION -- $t INTELLECTUAL PROPERTY -- $t INTERACTION DESIGN -- $t INTERDISCIPLINARY -- $t INTERFACE DESIGN -- $t INTERIOR DESIGN -- $t INTERNATIONAL STYLE -- $t INTUITION -- $tJ -- $t JEWELRY DESIGN -- $t JUST IN TIME -- $tK -- $t KITSCH -- $t KNOWLEDGE MANAGEMENT -- $tL -- $t LANDSCAPE DESIGN -- $t LAYOUT -- $t LIFE CYCLE -- $t LIFESTYLE -- $t LIGHTING DESIGN -- $t LOGISTICS -- $t LOGO -- $t LOOK AND FEEL -- $t LUXURY -- $tM -- $t MARKET RESEARCH -- $t MATERIALS -- $t MECHATRONIC DESIGN -- $t MEDIA DESIGN -- $t MEMPHIS -- $t MISINFORMATION -- $t MOBILITY -- $t MODEL -- $t MODERNITY -- $t MOOD BOARD -- $t MULTIDISCIPLINARY -- $tN -- $t NEED -- $t NEEDS ASSESSMENT -- $t NETWORKING -- $t NON INTENTIONAL DESIGN -- $t NOSTALGIA -- $t NOT-FOR-PROFIT -- $tO -- $t OBJECT -- $t OBSERVATIONAL RESEARCH -- $t ODM -- $t OEM -- $t OLFACTORY DESIGN -- $t ORGANIZATION -- $t ORIENTATION SYSTEM -- $t ORNAMENT -- $t ORNAMENTATION -- $t OUTSOURCING -- $tP -- $t PACKAGING DESIGN -- $t PARTICIPATORY DESIGN -- $t PATENT -- $t PATINA -- $t PATTERN -- $t PERCEPTION -- $t PERFORMANCE -- $t PERSONA -- $t PHOTOGRAPHIC DESIGN -- $t PICTOGRAM -- $t PLAGIARISM -- $t POINT OF SALE -- $t POSTER DESIGN -- $t POSTMODERNISM -- $t PRACTICE -- $t PREPRESS -- $t PRESENTATION -- $t PROBLEM SETTING -- $t PROBLEM SOLVING -- $t PROCESS -- $t PRODUCT -- $t PRODUCT DESIGN -- $t PRODUCT DEVELOPMENT -- $t PRODUCT FAMILY -- $t PRODUCTION TECHNOLOGY -- $t PRODUCT SEMANTICS -- $t PROJECT -- $t PROTEST DESIGN -- $t PROTOTYPE -- $t PROTOTYPING -- $t PUBLICATIONS -- $t PUBLIC DESIGN -- $tQ -- $t QUALITY -- $t QUALITY ASSURANCE -- $tR -- $t RADICAL DESIGN -- $t RAPID PROTOTYPING -- $t RAZIONALISMO -- $t REDESIGN -- $t REGISTERED DESIGN -- $t RENDERING -- $t RESEARCH -- $t RESPONSIBILITY -- $t RETAIL DESIGN -- $t RETRO DESIGN -- $t RHETORIC -- $tS -- $t SAFETY DESIGN -- $t SCENARIO PLANNING -- $t SCENOGRAPHY -- $t SCIENCE OF DESIGN -- $t SCREEN DESIGN -- $t SEMANTICS -- $t SEMIOTICS -- $t SENSUALITY -- $t SERVICE DESIGN -- $t SET DESIGN -- $t SHOP DESIGN -- $t SIGNATURE DESIGN -- $t SIMPLICITY -- $t SKETCH -- $tSKILLS -- $t SLOW DESIGN -- $t SMART MATERIALS -- $t SOCIAL -- $t SOFTWARE -- $t SOUND DESIGN -- $t STAGE DESIGN -- $t ST. MORITZ DESIGN SUMMIT -- $t STORYBOARD -- $t STRATEGIC DESIGN -- $t STREAMLINE DESIGN -- $t STYLE -- $t STYLING -- $t SUSTAINABILITY -- $t SYMBOL -- $t SYNERGY -- $t SYNESTHETIC -- $t SYNTHESIS -- $t SYSTEM -- $tT -- $t TARGET GROUP -- $t TEAMWORK -- $t TEASER -- $t TEMPLATE -- $t TESTING -- $t TEXTILE DESIGN -- $t TEXTURE -- $t THEORY -- $t TIME-BASED DESIGN -- $t TITLE DESIGN -- $t TOOLS -- $t TRADEMARK -- $t TRAILER -- $t TRANSDISCIPLINARY -- $t TRANSFORMATION -- $t TRANSPORTATION DESIGN -- $t TREND -- $t TV DESIGN -- $t TYPOGRAPHY -- $tU -- $t ULM SCHOOL OF DESIGN -- $t UNDERSTANDING -- $t UNIVERSAL DESIGN -- $t URBAN DESIGN -- $t URBAN PLANNING -- $t USABILITY -- $t USE -- $t USP -- $tV -- $t VALUE -- $t VIRTUALITY -- $t VIRTUAL REALITY -- $t VIRTUAL SET -- $t VISUAL COMMUNICATION -- $t VISUAL EFFECTS -- $t VISUALIZATION -- $tW -- $t WEB DESIGN -- $t WICKED PROBLEMS -- $t The Editors -- $t The Authors 330 $aDieses Wörterbuch bietet die interessante und kategoriale Grundlage für einen ernsthaften internationalen Diskurs über Design. Es ist das Handbuch für alle, die mit Design beruflich und in der Ausbildung zu tun haben, sich dafür interessieren, sich daran vergnügen und Design begreifen wollen.Über 100 Autorinnen und Autoren u.a. aus Japan, Österreich, England, Deutschland, Australien, aus der Schweiz, den Niederlanden und aus den USA haben für dieses Design-Wörterbuch Originalbeiträge geschrieben und bieten so bei aller kulturellen Differenz mögliche Erörterungen an, sich über wesentliche Kategorien des Design und somit über Design grundlegend zu verständigen. Es umfasst sowohl die teilweise noch jungen Begriffe aktueller Diskussionen als auch Klassiker der Design-Diskurse. - Ein praktisches Buch, das sowohl Wissenschaftscharakter hat als auch ein Buch zum Blättern und Lesen ist. 330 $aThis dictionary provides a stimulating and categorical foundation for a serious international discourse on design. It is a handbook for everyone concerned with design in career or education, who is interested in it, enjoys it, and wishes to understand it.110 authors from Japan, Austria, England, Germany, Australia, Switzerland, the Netherlands, the United States, and elsewhere have written original articles for this design dictionary. Their cultural differences provide perspectives for a shared understanding of central design categories and communicating about design. The volume includes both the terms in use in current discussions, some of which are still relatively new, as well as classics of design discourse. A practical book, both scholarly and ideal for browsing and reading at leisure. 410 0$aBoard of international research in design. 606 $aDesign$vDictionaries 606 $aDesign$vTerminology 608 $aElectronic books. 615 0$aDesign 615 0$aDesign 676 $a745.4014 701 $aErlhoff$b Michael$0852698 701 $aMarshall$b Tim$0749144 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458384603321 996 $aDesign dictionary$92473765 997 $aUNINA LEADER 01031nam a22002653i 4500 001 991000632079707536 005 20040116152448.0 008 040220s1983 it |||||||||||||||||ita 035 $ab1264710x-39ule_inst 035 $aARCHE-064545$9ExL 040 $aDip.to Scienze pedagogiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a501 100 1 $aHarré, Romano$0375547 245 13$aLe filosofie della scienza :$bpanorama introduttivo /$cRom Harré ; a cura di Mariano Bianca 260 $aRoma :$bArmando,$c1983 300 $a231 p. ;$c22 cm 440 0$aMetodologia delle scienze e filosofia del linguaggio.$nNuova Serie ;$v27 650 4$aEpistemologia 700 1 $aBianca, Mariano 907 $a.b1264710x$b02-04-14$c17-03-04 912 $a991000632079707536 945 $aLE022 MP 67 H 27 bis$g1$i2022000042772$lle022$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13151769$z17-03-04 996 $aFilosofie della scienza$9274353 997 $aUNISALENTO 998 $ale022$b17-03-04$cm$da $e-$fita$git $h3$i1