LEADER 04566nam 2200685 a 450 001 9910458371203321 005 20200520144314.0 010 $a1-282-68311-X 010 $a9786612683114 010 $a0-470-87583-6 035 $a(CKB)2560000000011230 035 $a(EBL)537298 035 $a(OCoLC)637491547 035 $a(SSID)ssj0000400279 035 $a(PQKBManifestationID)11298002 035 $a(PQKBTitleCode)TC0000400279 035 $a(PQKBWorkID)10395723 035 $a(PQKB)11108905 035 $a(MiAaPQ)EBC537298 035 $a(WaSeSS)Ind00023145 035 $a(CaSebORM)9780470875865 035 $a(Au-PeEL)EBL537298 035 $a(CaPaEBR)ebr10389623 035 $a(CaONFJC)MIL268311 035 $a(EXLCZ)992560000000011230 100 $a20100323d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBlender studio projects$b[electronic resource] $edigital movie-making /$fTony Mullen, Claudio Andaur 205 $a1st ed. 210 $aIndianapolis, Ind. $cWiley Pub.$dc2010 215 $a1 online resource (275 p.) 300 $aIncludes index. 311 $a0-470-87586-0 311 $a0-470-54313-2 320 $aIncludes index. 327 $aBlender Studio Projects: Digital Movie-Making; About the Authors; Contents; Introduction; Who Should Buy This Book; Regarding Software Versions; How to Use This Book; What's Inside; What's on the DVD; Chapter 1: Blender in the Studio; The Professional Blender; Blender's Professional Beginnings; Welcome to Licuadora Studio; The Blender-Based Animation Studio; Chapter 2: Planning and Preproduction; Conceptualizing the Movie; Designing Characters; Storyboarding; Pacing the Story with a 2D Animatic; Chapter 3: Creating a 3D Animatic; Working with an Asset Library; Organizing Sequences and Shots 327 $aAnimating and Rendering the AnimaticChapter 4: Modeling; Organic Modeling Techniques; Cloth and Clothing; Inorganic Modeling; Chapter 5: Rigging Characters; Using Armatures, Modifiers, and Deformation; Mastering Complex PyDrivers; Controlling Textures with PyDrivers; Chapter 6: Animating a Character Scene; Preparing to Animate; Implementing the Stages of Character Animation; Creating Facial Animation; Adding Cloth and Hair; Chapter 7: Descent into the Maelstrom; Setting the Scene; Using Textures, Modifiers, and Simulation; Touching Up the Shot with Node-Based Compositing 327 $aAppendix: About the Companion DVDWhat You'll Find on the DVD; System Requirements; Using the DVD; Troubleshooting; Index 330 $a"Learn how to get professional results from Blender. Start from scratch-the way it happens in the studio-and create fully rendered objects with Blender open-source 3D animation software and this real-world, roll-up-your-sleeves guide. No time is wasted-this book plunges straight into step-by-step instruction designed to help you build skills and create solid assets for film, video, and games. Blender is gaining clout in professional settings, and you can get a running start with this series of hands-on tutorials that encompasses multiple disciplines. The book includes a DVD with starter, intermediate, and final files, as well as movie files to help you every step of the way. Helps you harness Blender, the free, open-source alternative to commercial CG packages such as Maya and 3ds Max. Presents projects that start from scratch and encompass multiple disciplines, thoroughly teaching you the Blender software. Shows you how to use Blender attributes and tools for professional results. Allows you to emerge with finished, renderable objects and assets for use in film, video, or games. Includes a DVD with starter, intermediate, and final files, plus movie files for reference. This unparalleled book contains everything you need to know to take your Blender skills to a new level"--$cProvided by publisher. 606 $aComputer animation 606 $aMotion pictures$xEditing$xData processing 606 $aThree-dimensional display systems 608 $aElectronic books. 615 0$aComputer animation. 615 0$aMotion pictures$xEditing$xData processing. 615 0$aThree-dimensional display systems. 676 $a006.6/96 700 $aMullen$b Tony$f1971-$0885222 701 $aAndaur$b Claudio$f1970-$01032724 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458371203321 996 $aBlender studio projects$92450729 997 $aUNINA LEADER 04259nam 2200613 a 450 001 9910781465803321 005 20230524224711.0 010 $a1-283-31274-3 010 $a9786613312747 010 $a90-272-7651-X 035 $a(CKB)2550000000063796 035 $a(EBL)794802 035 $a(OCoLC)769341862 035 $a(SSID)ssj0000538595 035 $a(PQKBManifestationID)11357019 035 $a(PQKBTitleCode)TC0000538595 035 $a(PQKBWorkID)10576632 035 $a(PQKB)10747044 035 $a(MiAaPQ)EBC794802 035 $a(Au-PeEL)EBL794802 035 $a(CaPaEBR)ebr10509415 035 $a(CaONFJC)MIL331274 035 $a(EXLCZ)992550000000063796 100 $a19950511d1995 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aLinguistic theory and the Romance languages /$feditors, John Charles Smith, Martin Maiden 210 1$aAmsterdam ;$aPhiladelphia :$cJ. Benjamins Pub.,$d1995. 215 $a1 online resource (253 pages) $cillustrations 225 1 $aAmsterdam studies in the theory and history of linguistic science. Series IV, Current issues in linguistic theory,$x0304-0763 ;$vv. 122 300 $aChiefly updated versions of papers presented at a conference on Romance linguistics held at the Manoir de Brion in Dragey, Manche, May 1989. 311 0 $a90-272-3625-9 320 $aIncludes bibliographical references and index. 327 $aLINGUISTIC THEORY AND THE ROMANCE LANGUAGES; Editorial page; Title page; Copyright page; Dedication; Table of contents; Contributors' Addresses; Introduction; Aspects of Quantification in French in its Regional and Diachronic Varieties; 0. Theoretical background: the status of Quantifier Phrase (QP); 1. On the syntactic status of quantifiers in French; 2. Nominal quantifiers in French; 3. Diachronic and regional perspectives on this analysis; 4. Conclusions; Notes; References; The prepositional accusative in Sardinian: its distribution and syntactic repercussions; 0. Introduction. 327 $a1. Distribution of accusative a; 2. Prepositional accusatives with pro-forms.; 3. Prepositional accusatives and grammatical Case.; 4. Conclusion; Note; References; Voice, Aspect, and Arbitrary Arguments; 1. Introduction; 2. The aspect constraint; 3. The implicit argument; 4. Voice and argument structure; References; Evidence from the Italian dialects for the internal structure of prosodic domains; Notes; References; Some observations on the syntax of clitic pronouns in Piedmontese; Notes; References 327 $aPerceptual factors and the disappearance of agreement between past participle and direct object in Romance; Notes; References; Segmental and Suprasegmental Structure in Southern French; 1. Introduction; 2. Theoretical principles; 3. Vowels in Southern French; 4. Nasalized vowels; 5. Conclusion; References; 'Underspecification' and 'misagreement' in Catalan lexical specifiers; Notes; References; Index 330 $aThis volume contains revised versions of papers given at a conference at the Manoir de Brion, in Normandy. They deal with phonology, morphology, syntax, and semantics, and cover a wide range of Romance languages, including many lesser-known varieties. The contributors to the volume are committed to the view that Romance Linguistics is not narrowly philological, but is rather General Linguistics practised with reference to particular data. The point has been made many times, but is worth reiterating, that Latin and the Romance languages offer an unrivalled wealth of synchronic and historical do 410 0$aAmsterdam studies in the theory and history of linguistic science.$nSeries IV,$pCurrent issues in linguistic theory ;$v122. 517 3 $aLinguistic theory & the Romance languages 606 $aRomance languages$vCongresses 615 0$aRomance languages 676 $a440 701 $aSmith$b John Charles$f1950-$01463200 701 $aMaiden$b Martin$f1957-$0164178 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781465803321 996 $aLinguistic theory and the Romance languages$93703056 997 $aUNINA