LEADER 02326nam 2200673Ia 450 001 9910458340103321 005 20200520144314.0 010 $a1-282-63820-3 010 $a9786612638206 010 $a0-262-26589-3 035 $a(CKB)2560000000014306 035 $a(OCoLC)646069118 035 $a(CaPaEBR)ebrary10381811 035 $a(SSID)ssj0000418993 035 $a(PQKBManifestationID)11267888 035 $a(PQKBTitleCode)TC0000418993 035 $a(PQKBWorkID)10377892 035 $a(PQKB)11487760 035 $a(MiAaPQ)EBC3339123 035 $a(OCoLC)646069118$z(OCoLC)608360312$z(OCoLC)645598437$z(OCoLC)743201086$z(OCoLC)764537529$z(OCoLC)816563030$z(OCoLC)961524855$z(OCoLC)962627552$z(OCoLC)988473610$z(OCoLC)991984493$z(OCoLC)1037905602$z(OCoLC)1038597510$z(OCoLC)1045529600$z(OCoLC)1058103973$z(OCoLC)1066446270$z(OCoLC)1081288421 035 $a(OCoLC-P)646069118 035 $a(MaCbMITP)7940 035 $a(Au-PeEL)EBL3339123 035 $a(CaPaEBR)ebr10381811 035 $a(CaONFJC)MIL263820 035 $a(EXLCZ)992560000000014306 100 $a20090910d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGreen light$b[electronic resource] $etoward an art of evolution /$fGeorge Gessert 210 $aCambridge, Mass. $cMIT Press$d2010 215 $a1 online resource (260 p.) 225 1 $aLeonardo books 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-01414-9 320 $aIncludes bibliographical references and index. 330 $aHow humans' aesthetic perceptions have shaped other life forms, from racehorses to ornamental plants. 410 0$aLeonardo books. 606 $aArt and biology 606 $aBiotechnology in art 606 $aNature (Aesthetics) 606 $aEvolution (Biology)$xPhilosophy 608 $aElectronic books. 615 0$aArt and biology. 615 0$aBiotechnology in art. 615 0$aNature (Aesthetics) 615 0$aEvolution (Biology)$xPhilosophy. 676 $a701/.08 700 $aGessert$b George$f1944-$0881827 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458340103321 996 $aGreen light$91969522 997 $aUNINA LEADER 00866nam a2200241 i 4500 001 991002552049707536 008 040505s2003 it 000 0 ita d 020 $a8835953081 035 $ab12939821-39ule_inst 040 $aDip.to Scienze pedagogiche$bita 082 0 $a362.7 245 00$a285 nodi per crescere :$bistruzioni per l'uso /$ca cura di Daniele Biondo e Fabio Tini 260 $aRoma :$bEditori Riuniti,$c2003 300 $a231 p. ;$c21 cm 650 4$aAdolescenti$xAssistenza$zRoma 700 1 $aBiondo, Daniele 700 1 $aTini, Fabio 907 $a.b12939821$b21-09-06$c05-05-04 912 $a991002552049707536 945 $aLE022 362 BIO01.01$g1$i2022000109550$lle022$op$pE14.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i13524033$z11-05-04 996 $a285 nodi per crescere$9282006 997 $aUNISALENTO 998 $ale022$b05-05-04$cm$da $e-$fita$git $h0$i0 LEADER 02957nam 2200553 450 001 9910778872803321 005 20230421035626.0 010 $a1-4744-6938-8 010 $a0-585-15645-X 024 7 $a10.1515/9781474469388 035 $a(CKB)111004366757194 035 $a(SSID)ssj0000154101 035 $a(PQKBManifestationID)12037720 035 $a(PQKBTitleCode)TC0000154101 035 $a(PQKBWorkID)10406238 035 $a(PQKB)11096528 035 $a(DE-B1597)614432 035 $a(DE-B1597)9781474469388 035 $a(MiAaPQ)EBC6995400 035 $a(Au-PeEL)EBL6995400 035 $a(EXLCZ)99111004366757194 100 $a20220928d1997 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFeminism and film /$fMaggie Humm 210 1$aEdinburgh, Scotland :$cEdinburgh University Press,$d[1997] 210 4$dİ1997 215 $a1 online resource (256 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7486-0908-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tCONTENTS --$tLIST OF FIGURES --$tPREFACE --$tACKNOWLEDGEMENTS --$tPART ONE --$tChapter 1. FEMINIST THEORY, AESTHETICS AND FILM THEORY: Mulvey, Kuhn, Kaplan and hooks --$tChapter 2. SIGHT AND SOUND: Pornography, The Gaze, Klute and Variety --$tChapter 3. CRONENBERG'S FILMS AND FEMINIST THEORIES OF MOTHERING --$tChapter 4. AUTHOR/ AUTEUR: FEMINIST LITERARY THEORY AND FEMINIST FILM --$tPART TWO --$tChapter 5. BLACK FILM THEORY, BLACK FEMINISMS: Daughters of the Dust --$tChapter 6. POSTMODERNISM AND ORLANDO --$tChapter 7. PRACTISING FEMINIST THEORY --$tAFTERWORD --$tBIBLIOGRAPHY --$tFILMOGRAPHY --$tINDEX 330 $aThis is the first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. She begins with an in-depth historical survey of contemporary feminist theory, visual aesthetics and film theory, with a particular focus on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell hooks. Subsequent chapters examine the issues of reproduction, pornography and the gaze, autobiography and literary theory, postmodernism, Black feminism and 'the personal is political' in relation to a variety of mainstream and independent films, including Klute, Dead Ringers, A Question of Silence, Orlando and Daughters of the Dust. 606 $aFeminism and motion pictures 606 $aFeminist film criticism 615 0$aFeminism and motion pictures. 615 0$aFeminist film criticism. 676 $a791.43082 700 $aHumm$b Maggie$0176807 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778872803321 996 $aFeminism and film$93854589 997 $aUNINA