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010   $a9786612594069
010   $a0-472-02633-X
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100   $a20021118d2003      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe stage life of props$b[electronic resource] /$fby Andrew Sofer
210   $aAnn Arbor $cUniversity of Michigan Press$dc2003
215   $a1 online resource (297 p.)
225 1 $aTheater--theory/text/performance
300   $aDescription based upon print version of record.
311   $a0-472-09839-X 
311   $a0-472-06839-3 
320   $aIncludes bibliographical references (p. 203-268) and index.
327   $aContents; Introduction: Rematerializing the Prop; 1. Playing Host: The Prop as Temporal Contract on the Medieval Stage ; 2. Absorbing Interests: The Bloody Handkerchief on the Elizabethan Stage; 3. Dropping the Subject: The Skull on the Jacobean Stage; 4. The Fan of Mode: Sexual Semaphore on the Restoration and Early-Eighteenth-Century Stage; 5. Killing Time: Guns and the Play of Predictability on the Modern Stage; Notes; Bibliography; Index
330   $aFresh and provocative readings of familiar stage objects provide new ways of understanding theater, dramatic literature, and culture
410  0$aTheater--theory/text/performance.
606   $aTheaters$xStage-setting and scenery
606   $aStage props
606   $aEuropean drama$xHistory and criticism
608   $aElectronic books.
615  0$aTheaters$xStage-setting and scenery.
615  0$aStage props.
615  0$aEuropean drama$xHistory and criticism.
676   $a792/.025
700   $aSofer$b Andrew$f1964-$0881822
712 02$aMichigan Publishing (University of Michigan)
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458303003321
996   $aThe stage life of props$92462022
997   $aUNINA