LEADER 04132nam 2200613 a 450 001 9910462048003321 005 20200520144314.0 010 $a1-84150-689-3 035 $a(CKB)2670000000185178 035 $a(EBL)914258 035 $a(OCoLC)794489818 035 $a(SSID)ssj0000656749 035 $a(PQKBManifestationID)12291696 035 $a(PQKBTitleCode)TC0000656749 035 $a(PQKBWorkID)10635949 035 $a(PQKB)10579596 035 $a(MiAaPQ)EBC914258 035 $a(Au-PeEL)EBL914258 035 $a(CaPaEBR)ebr10551871 035 $a(CaONFJC)MIL884599 035 $a(EXLCZ)992670000000185178 100 $a20120423d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aItalian TV drama and beyond$b[electronic resource] $estories from the soil, stories from the sea /$fby Milly Buonanno ; translated by Jennifer Radice 210 $aBristol ;$aChicago $cIntellect$d2012 215 $a1 online resource (274 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-459-9 320 $aIncludes bibliographical references and index. 327 $aFrontCover; Title; Copyright; Contents; Dedication; Introduction; Invisible Italian TV drama; The structure of the book; 1. Building the Nation: The Origins of Italian TV Drama 1.; The words to say it; The domestic stage; Literary adaptation; Electronic library; The implication approach; The foreign sources of a national genre; Literature and history; 2. The Cinematic Turn and the Americanization of the Television Landscape; Keeping the cinema at bay; The cinematic turn; The rise of the miniseries; The flood of American imports; The Italian response to Dallas 327 $a3. The Political Career of a Popular Fiction: La Piovra (The Octopus: The Power of the Mafia)A phenomenon of popularity; Bond and beyond; An intertextual octopus; The origins of La Piovra's success; Mafia plots; Social melodrama; The fascination of the loser; Italian-style serial; Television event; The Mafia and politics; 4. A Place in the Sun: The First Italian Soap Opera; Escape from fiction; Turning point; The close encounter of local and global; An Italian sense of place; A seminal story; 5. Mimetic Heroes and Ironic Leaders: The Genesis and Evolution of Italian Police Drama 327 $aThe season of the detective storyStories from the sea; Stories from the soil; The funny detective; The hero is 'one of us'; A 'heritage' trilogy; Squads; The girls with a gun; Women on top; The merging of sailor's and peasant's storytelling; 6. In the Footsteps of La Piovra: Twenty years of Mafia stories in Italian TV drama; Mob stories are always hot: a tour d'horizon; A 20-year cycle; The centrality of Cosa Nostra; Facts burst into fiction; Heroes and villains; A male-dominated genre and its exceptions; The Mafia is everywhere 327 $a7. Life Stories: A Heroic Enclave and the Rise of the Religious BiopicThe rebirth of the biopic; Anti-heroic society; The biography genre and the shifting definition of the fame; A heroic enclave; The Bible Project; A plural catholicism; 8. The Re-enactment of the Past and the Politics of Memory and Identity in Contemporary Drama; The temporal turn; Past and present; Television as historian; Divided, denied, shared memory; 'We are not like them'; Conclusion; The convocative power of the mainstream drama; Visibility for what?; References; Index; BackCover 330 $aSince its inception in the mid-1950s, the television drama has emerged as the dominant medium of contemporary storytelling in Italian society, 606 $aTelevision$zItaly 606 $aTelevision plays 608 $aElectronic books. 615 0$aTelevision 615 0$aTelevision plays. 676 $a791 676 $a791.45750945 700 $aBuonanno$b Milly$0142048 701 $aRadice$b Jennifer$0862653 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462048003321 996 $aItalian TV drama and beyond$91925643 997 $aUNINA LEADER 03869nam 2200637 a 450 001 9910458249203321 005 20210519000303.0 010 $a1-281-40019-X 010 $a9786611400194 010 $a90-474-1058-0 024 7 $a10.1163/ej.9789004153011.i-361 035 $a(CKB)1000000000399215 035 $a(EBL)468231 035 $a(OCoLC)290556675 035 $a(SSID)ssj0000100099 035 $a(PQKBManifestationID)11140556 035 $a(PQKBTitleCode)TC0000100099 035 $a(PQKBWorkID)10017613 035 $a(PQKB)11292059 035 $a(MiAaPQ)EBC468231 035 $a(nllekb)BRILL9789047410584 035 $a(PPN)170691888 035 $a(Au-PeEL)EBL468231 035 $a(CaPaEBR)ebr10234763 035 $a(CaONFJC)MIL140019 035 $a(EXLCZ)991000000000399215 100 $a20060818d2007 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe afterlife imagery in Luke's story of the rich man and Lazarus$b[electronic resource] /$fby Outi Lehtipuu 210 $aLeiden ;$aBoston $cBrill$d2007 215 $a1 online resource (375 pages) 225 1 $aSupplements to Novum Testamentum,$x0167-9732 ;$vv. 123 300 $aRevision of the author's thesis (doctoral)--University of Helsinki, 2004. 311 $a90-04-15301-2 320 $aIncludes bibliographical references (p. [305]-329) and indexes. 327 $gPart I: Introduction --$tProblem --$tPrevious research and its evaluation --$tPurpose of this study --$gPart II: Dividing the dead: the Hellenistic matrix --$tPreliminary remarks: from fixed parallels to intertextuality --$tDifferentiated fates in Greco-Roman sources --$tDifferentiated fates: only an elite view? --$tDifferentiated fates in Jewish sources --$gSummary of part two --$gPart III: Luke's description of the hereafter in context --$tPreliminary remarks: the function of the afterlife scene --$tStructural themes of the story --$tDetails of the description --$gSummary of part three --$gPart IV: Afterlife imagery in Luke-Acts --$tPreliminary remarks: a consistent eschatological scheme? --$tRich man and Lazarus and Luke's eschatology --$tFate of the individual after death --$gSummary of part four --$gConclusions. 330 $aDespite the keen scholarly interest in the Gospel parables, the afterlife scenery in the story of the rich man and Lazarus has often been overlooked. Using insights from the orality studies and intertextuality, the author places the Lukan description of the fate of the dead into the larger Hellenistic matrix, provided by a large number of Greco-Roman and Jewish sources, both literary and epigraphic. Moreover, she challenges several conventional stances in Lukan studies, such as tracing the original of the story to Egypt, or maintaining that eschatology is a key for understanding Luke?s work and the purpose for writing it, or harmonizing Luke?s eschatological thinking by positing an intermediate state between death and general resurrection. 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FRAGOLA 253$e 0101 0060067335E VMA (0002 v. 2 (Precedente collocazione F 431)$fB $h20221028$i20221028$cv. 1-3 (v. 1 e 2 in doppia copia)$d 01POZZO LIB.F. FRAGOLA 253$e 0101 0060067345E VMA (0002 bis v. 2 (2. copia. Precedente collocazione F 436)$fB $h20221028$i20221028 977 $a 01$a 47 996 $aItalia$92950743 997 $aUNISANNIO