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010   $a9786611346805
010   $a0-19-535107-X
010   $a1-60256-399-3
035   $a(CKB)1000000000363149
035   $a(EBL)273240
035   $a(OCoLC)171572371
035   $a(SSID)ssj0000263178
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035   $a(PQKBTitleCode)TC0000263178
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100   $a20100913d1999||||  u||            |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe Twisted Muse$b[electronic resource] $eMusicians and Their Music in the Third Reich
210   $aNew York $cOxford University Press$d1999
215   $a1 online resource (344 p.)
300   $aDescription based upon print version of record.
311   $a0-19-513242-4 
327   $aContents; Abbreviations; Introduction; 1 NATIONAL SOCIALISM, THE THIRD REICH, AND THE MUSIC SCENE; Music, Economics, and Political Opportunism; Nazi Agencies of Music Administration; Nazi Musical Careers; 2 MUSICAL PROFESSIONALISM AND POLITICAL COMPROMISE; Hitler's Bias: Knappertsbusch and His Nemesis Krauss; Political Allegiance and Career Enhancement; 3 PERSECUTED AND EXILED JEWISH AND ANTI-NAZI MUSICIANS; Nazi Anti-Semitic Policy in the Music Sector; Jewish Musicians under Nazi Rule; Jewish Flight and Exile; Exiled Non-Jewish Musicians; 4 MUSIC IN THE INSTITUTIONS
327   $aFamily, School, and Hitler YouthThe Academies and the Protestant Church; 5 DISSONANCE AND DEVIANCE; The Nazi Struggle for Modernity in Music; The Ambiguities of Dissidence: Orff, Wagner-Régeny, and Furtwängler; Balancing Acts: Strauss and Pfitzner; Forms of Resistance; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z;
330   $aUnder a totalitarian regime, can art and artists be innocent? This questions and its implications are explored in Michael Kater's broad survey of musicians, and the music they composed and performed during the Third Reich.
606   $aFine Arts
608   $aElectronic books.
615  4$aFine Arts.
676   $a780.943
700   $aKater$b Michael H.$0865356
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910458246503321
996   $aThe Twisted Muse$91931441
997   $aUNINA