LEADER 03020nam 2200601 450 001 9910458234303321 005 20200520144314.0 010 $a1-4237-6034-4 010 $a0-19-535166-5 010 $a1-60256-360-8 035 $a(CKB)1000000000363163 035 $a(StDuBDS)AH24083499 035 $a(SSID)ssj0000127368 035 $a(PQKBManifestationID)11138629 035 $a(PQKBTitleCode)TC0000127368 035 $a(PQKBWorkID)10051630 035 $a(PQKB)10735779 035 $a(MiAaPQ)EBC4701151 035 $a(Au-PeEL)EBL4701151 035 $a(CaPaEBR)ebr11273080 035 $a(OCoLC)437173089 035 $a(EXLCZ)991000000000363163 100 $a20161011h19971997 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aComposers at work $ethe craft of musical composition 1450-1600 /$fJessie Ann Owens 210 1$aNew York, [New York] ;$aOxford, [England] :$cOxford University Press,$d1997. 210 4$dİ1997 215 $a1 online resource (368 p. ) $cnumerous halftones, music examples, tables 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-19-512904-0 320 $aIncludes bibliographical references and indexes. 330 $aUsing sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition. 330 $bComposers at Work discusses a problem that has fascinated scholars for a long time: how did Renaissance composers write their complex vocal polyphony? Twentieth-century scholars are so accustomed to scoring music, carefully lining up the vertical simultaneities, and carefully aligning the bar lines in order to study and perform music, that the idea that a composer could create elaborate polyphony, even in eight parts, without the aid of a score, seems incomprehensible. How then did sixteenth-century composers write their music, and what evidence exists to document this compositional process? Using sketches and other documentary evidence, long a matter of intense study in later centuries, Professor Owens' study is the first full-length investigation of the topic in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition. 606 $aComposition (Music)$xHistory 606 $aMusic$y15th century$xHistory and criticism 606 $aMusic$y16th century$xHistory and criticism 608 $aElectronic books. 615 0$aComposition (Music)$xHistory. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a781/.3/09031 700 $aOwens$b Jessie Ann$0906876 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458234303321 996 $aComposers at work$92479871 997 $aUNINA