LEADER 02840oam 2200637I 450 001 9910458184703321 005 20200520144314.0 010 $a1-351-88760-2 010 $a1-315-23895-0 010 $a1-283-01545-5 010 $a9786613015457 010 $a1-4094-1940-1 024 7 $a10.4324/9781315238951 035 $a(CKB)2560000000055452 035 $a(EBL)655458 035 $a(OCoLC)705536084 035 $a(SSID)ssj0000485214 035 $a(PQKBManifestationID)12157424 035 $a(PQKBTitleCode)TC0000485214 035 $a(PQKBWorkID)10603765 035 $a(PQKB)10434923 035 $a(MiAaPQ)EBC655458 035 $a(Au-PeEL)EBL655458 035 $a(CaPaEBR)ebr10444460 035 $a(CaONFJC)MIL301545 035 $a(OCoLC)966310718 035 $a(EXLCZ)992560000000055452 100 $a20180706e20162011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe instrumental music of Schmeltzer, Biber, Muffat and their contemporaries /$fCharles E. Brewer 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (440 p.) 300 $aDescription based upon print version of record. 311 $a1-138-24753-7 311 $a1-85928-396-9 320 $aIncludes bibliographical references and index. 327 $aStylus phantasticus and stylus hyporchematicus : concepts of instrumental music in late seventeenth-century Central and East-Central Europe -- Johann Heinrich Schmeltzer (c.1620/23-1680) and music at the Viennese court -- The chapel of Prince-Bishop Carl Liechtenstein-Castelcorn -- Biber and Muffat at Salzburg -- The dissemination and dissolution of the stylus phantasticus. 330 $aBased on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. 606 $aInstrumental music$zAustria$y17th century$xHistory and criticism 606 $aMusic$y17th century$xPhilosophy and aesthetics 608 $aElectronic books. 615 0$aInstrumental music$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.92/2 700 $aBrewer$b Charles E$g(Charles Everett),$0143452 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458184703321 996 $aThe instrumental music of Schmeltzer, Biber, Muffat and their contemporaries$92258178 997 $aUNINA LEADER 01380nam 2200385 n 450 001 996386626303316 005 20221102112927.0 035 $a(CKB)1000000000614544 035 $a(EEBO)2240953342 035 $a(UnM)99873343 035 $a(EXLCZ)991000000000614544 100 $a19850131d1655 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aAnthropologie abstracted: or The idea of humane nature reflected in briefe philosophicall, and anatomicall collections$b[electronic resource] 210 $aLondon, $cPrinted for Henry Herringman, at the Anchor in the lower walke in the New Exchange.$d1655 215 $a[8], 201 [i.e. 191], [1] p 300 $aReproduction of original in Thomason Collection, British Library. 330 $aeebo-0018 606 $aSoul$vEarly works to 1800 606 $aPhysiology$vEarly works to 1800 606 $aSenses and sensation$vEarly works to 1800 606 $aAnthropology$vEarly works to 1800 615 0$aSoul 615 0$aPhysiology 615 0$aSenses and sensation 615 0$aAnthropology 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996386626303316 996 $aAnthropologie abstracted, or, The idea of humane nature reflected in briefe philosophicall and anatomicall collections$92380722 997 $aUNISA