LEADER 02413nam 2200589Ia 450 001 9910458150403321 005 20200520144314.0 010 $a0-8166-8387-5 035 $a(CKB)1000000000347231 035 $a(EBL)310240 035 $a(OCoLC)476093195 035 $a(SSID)ssj0000123779 035 $a(PQKBManifestationID)11936795 035 $a(PQKBTitleCode)TC0000123779 035 $a(PQKBWorkID)10010566 035 $a(PQKB)10233398 035 $a(MiAaPQ)EBC310240 035 $a(Au-PeEL)EBL310240 035 $a(CaPaEBR)ebr10159444 035 $a(EXLCZ)991000000000347231 100 $a19920831d1993 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClint Eastwood$b[electronic resource] $ea cultural production /$fPaul Smith 210 $aMinneapolis $cUniversity of Minnesota Press$dc1993 215 $a1 online resource (312 p.) 225 1 $aAmerican culture ;$vv. 8 300 $aDescription based upon print version of record. 311 $a0-8166-1960-3 311 $a0-8166-1958-1 320 $aIncludes bibliographical references (p. 283-287) and index. 327 $aContents; Acknowledgments; Introduction; Subaltern Spaghetti; Genre; Restitution; At the Smithsonian; Homesteaders; Misogyny; Just Entertainment; The Opposite of Fascism; Pauline's Knee, Harry's War; Amongst Men; ''Who Knows? Maybe It Was You""; Gay Subtext; Eastwood Bound; Burlesque Body; Lethal Weapons; Drugs; Servicemen; Performance and Identification; The Meaning of Black; Auteur-Father; Coda; Notes; Bibliography; Index 330 $aThe first full-length study of Clint Eastwood (or any contemporary figure in film) that not only interprets and critiques his films but demonstrates their complex and problematic relationship to American culture. 410 0$aAmerican culture (Minneapolis, Minn.) ;$v8. 606 $aMotion pictures$xSocial aspects$zUnited States 606 $aPopular culture$zUnited States 608 $aElectronic books. 615 0$aMotion pictures$xSocial aspects 615 0$aPopular culture 676 $a791.43/028/092 676 $a791.43028092 700 $aSmith$b Paul$f1954 Nov. 23-$0900455 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458150403321 996 $aClint Eastwood$92458462 997 $aUNINA