LEADER 01319nam--2200433---450- 001 990000339880203316 005 20050721101433.0 010 $a0-226-89907-1 035 $a0033988 035 $aUSA010033988 035 $a(ALEPH)000033988USA01 035 $a0033988 100 $a20010214d1995----km-y0itay0103----ba 101 0 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aArt of darkness$ea poetics of gothic$fAnne Williams 210 $aChicago ; London$cThe university of Chicago press$dcopyr. 1995 215 $aXII, 311 p.$d23 cm 606 $aLetteratura inglese$xStoria$zsec. 18.-19. 606 $aLetteratura inglese$xCritica$zsec. 18.-19. 606 $aLetteratura dell'orrore inglese 606 $aRomanzi gotici 676 $a823.0872909 700 1$aWILLIAMS,$bAnne$0430251 801 0$aIT$bsalbc$gISBD 912 $a990000339880203316 951 $aVII.3.B. 1032(II i C 1588)$b156178 L.M.$cII i c$d00069777 951 $aIC WIL 959 $aBK 969 $aUMA 969 $aDSLL 979 $aTAMI$b40$c20010214$lUSA01$h0955 979 $c20020403$lUSA01$h1642 979 $aPATRY$b90$c20030107$lUSA01$h1047 979 $aPATRY$b90$c20040406$lUSA01$h1624 979 $aCOPAT5$b90$c20050721$lUSA01$h1014 996 $aArt of darkness$9877836 997 $aUNISA LEADER 02434nam 2200613 a 450 001 9910458146103321 005 20200520144314.0 010 $a1-62198-464-8 010 $a1-281-12670-5 010 $a9786611126704 010 $a0-8144-0084-1 035 $a(CKB)1000000000366062 035 $a(EBL)876801 035 $a(OCoLC)162141886 035 $a(SSID)ssj0000078703 035 $a(PQKBManifestationID)11110906 035 $a(PQKBTitleCode)TC0000078703 035 $a(PQKBWorkID)10066597 035 $a(PQKB)10181876 035 $a(MiAaPQ)EBC876801 035 $a(CaSebORM)9780814409145 035 $a(Au-PeEL)EBL876801 035 $a(CaPaEBR)ebr10196165 035 $a(CaONFJC)MIL112670 035 $a(EXLCZ)991000000000366062 100 $a20061106d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhoever tells the best story wins$b[electronic resource] $ehow to use your own stories to communicate with power and impact /$fAnnette Simmons 205 $a1st edition 210 $aNew York $cAmacom$dc2007 215 $a1 online resource (241 p.) 300 $aDescription based upon print version of record. 311 $a0-8144-0914-8 320 $aIncludes bibliographical references (p. 213-216) and index. 327 $aPART ONE. THINKING IN STORY. -- Story thinking: what does that even mean? -- What is story? -- Training your brain -- Telling stories that win -- PART TWO. FINDING STORIES TO TELL. -- Who-I-am stories -- Why-I-am-here stories -- Teaching stories -- Vision stories -- Value-in-action stories -- I-know-what-you-are-thinking stories -- PART THREE. PERFECTING THE CRAFT. -- Experience is sensory -- The gift of brevity -- Brand, organizational, and political stories -- Point of view -- Story listening -- Call to action. 330 $aOnce upon a time, the most powerful communications tool was the art of storytelling. This book shows that it still is. 606 $aBusiness communication 606 $aStorytelling 608 $aElectronic books. 615 0$aBusiness communication. 615 0$aStorytelling. 676 $a658.4/52 700 $aSimmons$b Annette$0874490 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458146103321 996 $aWhoever tells the best story wins$91952648 997 $aUNINA