LEADER 04614nam 22006734a 450 001 9910458138103321 005 20200520144314.0 010 $a1-281-21433-7 010 $a9786611214333 010 $a1-4051-5532-9 035 $a(CKB)1000000000401782 035 $a(EBL)255310 035 $a(OCoLC)437163565 035 $a(SSID)ssj0000104081 035 $a(PQKBManifestationID)11108662 035 $a(PQKBTitleCode)TC0000104081 035 $a(PQKBWorkID)10078616 035 $a(PQKB)10857842 035 $a(MiAaPQ)EBC255310 035 $a(PPN)200607405 035 $a(Au-PeEL)EBL255310 035 $a(CaPaEBR)ebr10213717 035 $a(CaONFJC)MIL121433 035 $a(EXLCZ)991000000000401782 100 $a20050510d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe anthropology of art$b[electronic resource] $ea reader /$fedited by Howard Morphy and Morgan Perkins 210 $aMalden, MA ;$aOxford $cBlackwell Pub.$d2006 215 $a1 online resource (576 p.) 225 1 $aBlackwell anthologies in social and cultural anthropology 300 $aDescription based upon print version of record. 311 $a1-4051-0562-3 311 $a1-4051-0561-5 320 $aIncludes bibliographical references and index. 327 $aThe Anthropology of Art; Contents; Acknowledgments; About the Authors; The Anthropology of Art: A Reflection on its History and Contemporary Practice; Part I Foundations and Framing the Discipline; 1 Primitive Art; 2 Split Representation in the Art of Asia and America; 3 Introduction to Tribes and Forms in African Art; 4 Style, Grace, and Information in Primitive Art; 5 Tikopia Art and Society; 6 The Abelam Artist; Part II Primitivism, Art, and Artifacts; 7 Modernist Primitivism: An Introduction; 8 Defective Affinities: ''Primitivism'' in 20th Century Art 327 $a9 Histories of the Tribal and the Modern10 A Case in Point and Afterwords to Primitive Art in Civilized Places; 11 Oriental Antiquities/Far Eastern Art; 12 Introduction to Art/Artifact: African Art in Anthropology Collections; 13 Vogel's Net: Traps as Artworks and Artworks as Traps; Part III Aesthetics across Cultures; 14 Yoruba Artistic Criticism; 15 Style in Technology: Some Early Thoughts; 16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes; 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu 327 $aPart IV Form, Style, and Meaning18 Visual Categories: An Approach to the Study of Representational Systems; 19 Structural Patterning in Kwakiutl Art and Ritual; 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks; 21 All Things Made; 22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective; Part V Marketing Culture; 23 Arts of the Fourth World; 24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial'' 327 $a25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art MarketPart VI Contemporary Artists; 26 A Second Reflection: Presence and Opposition in Contemporary Maori Art; 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings; 28 Aesthetics and Iconography: An Artist's Approach; 29 Kinds of Knowing; 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another; Index 330 $aThis anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers' appreciation of the aesthetics of art and of the important 410 0$aBlackwell anthologies in social and cultural anthropology. 606 $aArt and anthropology 606 $aArt and society 608 $aElectronic books. 615 0$aArt and anthropology. 615 0$aArt and society. 676 $a709/.01/1 701 $aPerkins$b Morgan$0902621 701 $aMorphy$b Howard$0902622 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458138103321 996 $aThe anthropology of art$92017789 997 $aUNINA