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100   $a19830722d1984      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aStory and situation$b[electronic resource] $enarrative seduction and the power of fiction /$fRoss Chambers ; foreword by Wlad Godzich
210   $aMinneapolis $cUniversity of Minnesota Press$dc1984
215   $a1 online resource (280 p.)
225 1 $aTheory and history of literature ;$vv. 12
300   $aIncludes index.
311   $a0-8166-1298-6 
311   $a0-8166-1295-1 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Foreword; Chapter One: Story and Situation; Chapter Two: Self-Situation and Readability; Chapter Three: Narratorial Authority and ""The Purloined Letter""; Chapter Four: Seduction Denied: ""Sarrasine"" and the Impact of Art; Chapter Five: Seduction Renounced: ""Sylvie"" as Narrative Act; Chapter Six: An Invitation to Love: Simplicity of Heart and Textual Duplicity in ""Un C?ur Simple""; Chapter Seven: Not for the Vulgar? The Question of Readership in ""The Figure in the Carpet""; Chapter Eight: Gabriel Conroy Sings for His Supper, or Love Refused (""The Dead"")
327   $aChapter Nine: Authority and Seduction: The Power of FictionAppendix A: Saki, ""The Open Window""; Appendix B: Marcel Schwob, ""Les Sans-Gueule""; Bibliography; Index
330   $aStudies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries.
410  0$aTheory and history of literature ;$vv. 12.
606   $aFiction$xHistory and criticism
606   $aFiction$xTechnique
606   $aNarration (Rhetoric)
608   $aElectronic books.
615  0$aFiction$xHistory and criticism.
615  0$aFiction$xTechnique.
615  0$aNarration (Rhetoric)
676   $a808.3
700   $aChambers$b Ross$0156675
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457924603321
996   $aStory and situation$91345441
997   $aUNINA